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Инструкции Roland
Музыкальные инструменты
RS-70
Инструкции
Инструкции
Roland RS-70
инструкции и руководства
Наша библиотека содержит 1 инструкцию для RS-70 Roland
Инструкция по эксплуатации Roland RS-70,
181 cтраница
Roland
/
Музыкальные инструменты
Распознанные языки:
Русский
Страницы:
181
Размер:
11.04 MB
Показать содержание
Document Outline
201a
202
Cover-2.pdf
001
002c
003
004
007
008c
008e
009
010
02 Important Notes.A4.e.pdf
ÏÈÒÀÍÈÅ
301
302
307
ÃÀÇÌÅÙÅÍÈÅ
351
352a
352b
353
354a
355b
358
ÎÁÑËÓÆÈÂÀÍÈÅ
401a
402
ÄÎÏÎËÍÈÒÅËÜÍÛÅ ÌÅÃÛ ÏÃÅÄÎÑÒÎÃÎÆÍÎÑÒÈ
551
552
553
554
556
558a
559a
561
985
ÈÑÏÎËÜÇÎÂÀÍÈÅ ÃÈÁÊÈÕ ÄÈÑÊÎÂ
Îá²àùåíèå ñ äèñêîâîäîì
602
603
604
605a
606
607
608
Îá²àùåíèå ñ ãèáêèìè äèñêàìè
651
652
653
654
Îá²àùåíèå ñ CD-ROMàìè
563
801
204
206f
206g
206h
206e
207
209
220
03 MainFeatures.pdf
Áîãàòûé à²ñåíàë íîâûõ îøåëîìëØ ùèõ çâóêîâ
ϲîñòîå è Æôôåêòèâíîå ²åäàêòè²îâàíèå
“Áûñò²ûé ñåêâåíñ岓 äëØ óäîáñòâà à²àíæè²îâêè
Áîëüøîé âûáî² ²èòìè÷åñêèõ ïàòòå²íîâ è ô²àçîâûõ øàáëîíîâ
Âîçìîæíîñòü ïîäêë ÷åíèØ ê ÏÊ ÷å²åç êîííåêòî² USB
Áàíê àêêî²äîâ
ÔóíêöèØ V-LINK
Êîìïàêòíîñòü è ò²àíñïî²òàáåëüíîñòü
ϲîã²àììà ²åäàêòè²îâàíèØ çâóêà
Ëó÷åâîé êîíò²îëëå²
General MIDI
General MIDI 2
RS-70_e1TOC.pdf
Ñîäå²æàíèå
ÂÀÆÍÛÅ ÑÎÂÅÒÛ 4
Îñíîâíûå ôóíêöèè 11
Îïèñàíèå ïàíåëåé 12
Ïîäãîòîâêà ê ²àáîòå 17
Âîññòàíîâëåíèå çàâîäñêèõ çíà÷åíèé (Factory Reset) 20
ϲîñëóøèâàíèå äåìîíñò²àöèîííûõ êîìïîçèöèé 21
Ïå²âûå øàãè 23
Âûáî² çâóêîâ 24
Èñïîëüçîâàíèå Æôôåêòîâ 30
Ñîçäàíèå ïàòòå²íà ñ ïîìîùü ñåêâåíñå²à 40
Èñïîëíåíèå ñ èñïîëüçîâàíèåì MIDI-äàííûõ 47
Èñïîëüçîâàíèå ïå²åäîâûõ ôóíêöèé 49
ÑâåäåíèØ îá èíñò²óìåíòå 50
Îñíîâíûå îïå²àöèè 53
Ñîçäàíèå ïàò÷à (Ãåæèì ïàò÷åé) 55
Ñîçäàíèå ²èòì-íàáî²à (Ãåæèì ïàò÷åé) 63
Ñîçäàíèå ïàòòå²íîâ ñ ïîìîùü ñåêâåíñå²à 66
Ñîçäàíèå Æôôåêòîâ 91
Ñîåäèíåíèå ïàòòå²íîâ â êîìïîçèöè (Ãåæèì êîìïîçèöèé) 114
Èñïîëüçîâàíèå ãèáêèõ äèñêîâ 119
Ñèñòåìíûå ôóíêöèè (System Function) 124
Èñïîëüçîâàíèå âíåøíåãî MIDI-óñò²îéñòâà 129
Èñïîëíåíèå ñ ïîìîùü êîìïü òå²à 139
ϲèëîæåíèå 157
Óñò²àíåíèå íåèñï²àâíîñòåé 158
ÑîîáùåíèØ îá îøèáêå/ÑîîáùåíèØ 164
Ñïèñîê ïà²àìåò²îâ 165
MIDI-êà²òà 169
Òåõíè÷åñêèå õà²àêòå²èñòèêè 171
04 PanelDescriptions.pdf
ËèöåâàØ ïàíåëü
A
D BEAM Êîíò²îëëå²
Êíîïêà [SOLO SYNTH] (Ñîëî ñèíòåçàòî²)
Êíîïêà [ACTIVE EXPRESS] (ÀêòèâíàØ Æêñï²åññèØ)
Êíîïêà [ASSIGNABLE]
B
Ãó÷êà [VOLUME]
C
ÑåêöèØ âûáî²à ²åæèìà
Êíîïêà [PATCH]
Êíîïêà [PATTERN]
Êíîïêà [SONG]
ÑåêöèØ ²åäàêòè²îâàíèØ
Êíîïêà [PARAM] (Ïà²àìåò²û)
Êíîïêà [EFFECTS]
Êíîïêà [UTILITY]
ϲî÷èå
Êíîïêà [SYSTEM]
Êíîïêà [PART SELECT]
Êíîïêà [TRACK MUTE]
fig.04-01.r[WRITE] / [DISK] button
Êíîïêà [WRITE]/[DISJK]
Êíîïêè [-/+OCT] (Ñäâèã îêòàâû)/ [-/+TRANSPOSE] (Ò²àíñïîçèöèØ)
Êíîïêà [PHRASE/ARPEGGIO]
Êíîïêà [CHORD MEMORY]
D
Äèñïëåé
E
Êíîïêà [V-LINK]
F
Êíîïêà [NUMERIC] / [AUDITION]
[0]–[9] (Êíîïêè ï²Øìîãî äîñòóïà)
G
Êíîïêè [VALUE -/+]
Êíîïêè PAGE/CURSOR []/[] / JUMP []/[]
Êíîïêà [EXIT]
Êíîïêà [ENTER]
Êíîïêà [SHIFT]
Êíîïêà [TAP TEMPO] / [SMF PLAYER]
H
ÑåêöèØ áûñò²îãî ñåêâåíñå²à (QUICK SEQ)
Êíîïêà [] (Çàïèñü) / STEP
Êíîïêà [ERASE/UNDO]
Êíîïêà [] (Îá²àòíàØ ïå²åìîòêà)
Êíîïêà [] (Âïå²åä)/REST
Êíîïêà [] (Ñòîï)/MICRO EDIT
Êíîïêà [] /TIE
I
ÑåêöèØ PATCH MODIFY
Êíîïêà [DESTINATION TONE]
Êíîïêà âûáî²à îáúåêòà ²åäàêòè²îâàíèØ
Ãó÷êà [ATTACK]
Ãó÷êà [DECAY]
Ãó÷êà [RELEASE]
Ãó÷êà [BALANCE]
Ãó÷êà [LFO RATE]
Ãó÷êà [LFO DEPTH]
Êíîïêà [KEY MODE]
Êíîïêà [FILTER LFO]
Ãó÷êà [CUTOFF]
Ãó÷êà [RESONANCE]
J
Äèñêîâîä
K
Äæîéñòèê “Ñãèá òîíà“/ÌîäóëØöèØ
ÇàäíØØ ïàíåëü
A
Êîííåêòî² USB
B
MIDI-êîííåêòî²û (IN, OUT)
C
Ãíåçäà ïîäêë ÷åíèØ ïåäàëåé
D
Âûõîäû
E
Ãíåçäî “PHONES”
F
ßêî²ü äëØ ôèêñàöèè øíó²à
G
Ãíåçäî “DC IN”
H
Âûêë ÷àòåëü ìîùíîñòè
I
Âûâîä çàçåìëåíèØ
q01 BeforeUsing.pdf
Ïîäêë ÷åíèå RS-70 ê âíåøíåìó îáî²óäîâàíè
1. ϲåæäå ÷åì âûïîëíØòü ñîåäèíåíèØ âûêë ÷èòå ìîùíîñòü íà âñåõ óñò²îéñòâàõ.
2. Ñîåäèíèòå àäàïòå² ñ RS-70, çàòåì âêë ÷èòå åãî ä²óãîé êîíåö â ²îçåòêó
3. Âûïîëíèòå ñîåäèíåíèØ RS-70 ñ âíåøíèìè óñò²îéñòâàìè, êàê ïîêàçàíî íà ²èñóíêå.
Âêë ÷åíèå/âûêë ÷åíèå ìîùíîñòè
1. ϲåæäå ÷åì âêë ÷àòü ìîùíîñòü:
2. Íàæìèòå ïå²åêë ÷àòåëü ìîùíîñòè, ²àñïîëîæåííûé íà çàäíåé ïàíåëè RS-70.
3. Âêë ÷èòå ìîùíîñòü íà îñòàëüíûõ óñò²îéñòâàõ.
4. ÍàæèìàØ íà êëàâèøè RS-70, ïîñòåïåííî óâåëè÷èâàéòå ã²îìêîñòü íà RS-70 èëè íà ïîäêë ÷åííîì çâóêî...
1. ϲåæäå ÷åì âûêë ÷èòü ìîùíîñòü:
2. Âûêë ÷èòå ìîùíîñòü íà ïîäêë ÷åííûõ óñò²îéñòâàõ.
3. Íàæìèòå íà âûêë ÷àòåëü ìîùíîñòè RS-70.
Ãåãóëè²îâêà êîíò²àñòíîñòè äèñïëåØ (LCD CONTRAST)
1. Íàæìèòå [SYSTEM]. ÇàææåòñØ èíäèêàòî².
2. ÍàæèìàØ PAGE/CURSOR [t]/[u], âûáå²èòå “LCD Contrast.”
3. ÈñïîëüçóØ VALUE [-]/[+], óñòàíîâèòå çíà÷åíèå (1–8).
q02 FactoryReset.pdf
1. Íàæìèòå [PATCH] ÷òîáû âêë ÷èòü ²åæèì ïàò÷åé. Âêë ÷åíèå ïîäòâå²äèòñØ ñ²àáîòêîé èíäèêàòî²à.
2. Íàæìèòå [UTILITY]. Ѳàáîòàåò èíäèêàòî².
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “5:FACTORY RESET.”
4. Íàæìèòå [ENTER].
5. Íàæìèòå [ENTER] åùå ²àç, ÷òîáû âûïîëíèòü ïå²åóñòàíîâêó çíà÷åíèé.
q03 Demos.pdf
1. Íàæìèòå è óäå²æèâàéòå [SHIFT], çàòåì íàæìèòå [ENTER].
2. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå êîìïîçèöè äëØ ï²îñëóøèâàíèØ.
3. Íàæìèòå [u] ÷òîáû âêë ÷èòü âîñï²îèçâåäåíèå.
4. ÄëØ îñòàíîâêè âîñï²îèçâäåíèØ íàæìèòå [g].
Ñïèñîê äåìîíñò²àöèîííûõ êîìïîçèöèé
q04 TrySounds.pdf
Âûáî² ïàò÷à
< Âûáî² ïàò÷à ïî êàòåãî²èè
1. Íàæìèòå [PATCH] ÷òîáû âêë ÷èòü ²åæèì ïàò÷åé.
2. ÈñïîëüçóØ [0]–[9], îï²åäåëèòå èíñò²óìåíòàëüíó ã²óïïó, ê êîòî²îé îòíîñèòñØ íóæíûé Âàì ïàò÷.
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå çâóêè â ï²åäåëàõ äàííîé ã²óïïû.
< Âûáî² ïàò÷åé âî â²åìØ ï²îñëóøèâàíèØ ô²àç (Patch Audition)
1. Óäå²æèâàØ [SHIFT], íàæìèòå [NUMERIC].
2. Âûáå²èòå ïàò÷, êàê îïèñàíî â ²óá²èêå “Âûáî² ïàò÷à ïî êàòåãî²èè“ (ñò². 24).
3. Íàæìèòå [EXIT] ÷òîáû ï²åê²àòèòü àóäè²îâàíèå ïàò÷à.
Âûáî² ²èòìè÷åñêîãî íàáî²à
1. Íàæìèòå [PATCH] ÷òîáû âêë ÷èòü ²åæèì ïàò÷åé.
2. Íàæìèòå [0] äëØ âûáî²à “RHYTHM & SFX.”
3. ÈñïîüçóØ VALUE [-]/[+], ïå²åêë ÷àéòå ²èòì-íàáî²û.
Èñïîëíåíèå à²ïåäæèî (Phrase/Arpeggio)
1.  ²åæèìå ïàò÷åé, íàæàâ [1], âûáå²èòå èíñò²óìåíòàëüíó ã²óïïó ïèàíèíî.
2. Íàæìèòå [PHRASE/ARPEGGIO]. ÇàææåòñØ èíäèêàòî².
3. Íàæèìàéòå íà êëàâèøè..
<Êàê èçìåíèòü çâó÷àíèå à²ïåäæèî
5 . ϲè íàæàòèè [EXIT], ôóíêöèØ à²ïåäæèî îñòàåòñØ àêòèâíîé è Âû âå²íåòåñü ê ï²åäûäóùåìó ìåí .
6. Çàêîí÷èâ èñïîëíåíèå à²ïåäæèî, íàæìèòå [PHRASE/ARPEGGIO]. Èíäèêàòî² ïîãàñíåò.
Èñïîëíåíèå àêêî²äà â îäíî êàñàíèå (Áàíê àêêî²äîâ)
1. Íàæìèòå [CHORD MEMORY]. Âêë ÷èòñØ èíäèêàòî².
2. Íàæìèòå íà êëàâèøè.
< Ïå²åêë ÷åíèå íàáî²îâ àêêî²äîâ
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå íàáî² àêêî²äîâ.
4. Ïîñëå íàæàòèØ [EXIT] ôóíêöèØ áàíêà àêêî²äîâ îñòàåòñØ àêòèâíîé è Âû âîçâ²àùàåòåñü â ï²åäûäóùåå ...
5. ÄëØ âûêë ÷åíèØ ôóíêöèè áàíêà àêêî²äîâ íàæìèòå [CHORD MEMORY] åùå ²àç, ÷òîáû èíäèêàòî² âûêë ÷èëñØ.
Ïå²âûå øàãè
q05 TryEffects.pdf
Èçìåíåíèå òîíà ñ ïîìîùü ²ó÷åê (ìîäèôèêàöèØ ïàò÷à)
< Âûáî² òîíà äëØ ìîäèôèêàöèè (DESTINATION TONE)
< Êî²²åêöèØ áàëàíñà ã²îìêîñòè îáîèõ òîíîâ
1. Íàæìèòå êíîïêó âûáî²à ñïîñîáà ìîäèôèêàöèè òàêèì îá²àçîì, ÷òîáû âêë ÷èëñØ èíäèêàòî² [BALANCE/LFO].
2. ²àùàéòå ²ó÷êó [BALANCE].
<Âèá²àòî è Wah-Æôôåêò (ÃÍ°)
1. Íàæìèòå êíîïêó âûáî²à ñïîñîáà ìîäèôèêàöèè òàêèì îá²àçîì, ÷òîáû âêë ÷èëñØ èíäèêàòî² [BALANCE/LFO].
2. Óáåäèòåñü, ÷òî èíäèêàòî² [FILTER LFO] âûêë ÷åí.
3. ²àùàéòå ²ó÷êó [LFO DEPTH].
4. ²àùàéòå ²ó÷êó [LFO RATE].
5. Íàæìèòå [FILTER LFO], ÷òîáû çàæåãñØ èíäèêàòî².
6. ²àùàé òå ²ó÷êó [LFO DEPTH].
7. ²àùàéòå ²ó÷êó [LFO RATE].
< Èçìåíåíèå îãèáà ùåé çâóêà ã²îìêîñòè
1. Íàæìèòå êíîïêó âûáî²à ìîäèôèêàöèè òàêèì îá²àçîì, ÷òîáû âêë ÷èëñØ èíäèêàòî² [ENV].
2. ²àùàéòå ²ó÷êó [ATTACK].
3. ²àùàéòå ²ó÷êó [DECAY].
4. ²àùàéòå ²ó÷êó [RELEASE].
< Èçìåíåíèå òåìá²à çâóêà (CUTOFF/RESONANCE)
1. ²àùàéòå ²ó÷êó [CUTOFF].
2. ²àùàéòå ²ó÷êó [RESONANCE].
Èñïîëüçîâàíèå äæîéñòèêà ìîäóëØöèè
< Èçìåíåíèå âûñîòû îñíîâíîãî òîíà â ²åàëüíîì ìàñøòàáå â²åìåíè (ñãèá òîíà)
< Ïîëó÷åíèå Æôôåêòà âèá²àòî (ìîäóëØöèØ)
Èçìåíåíèå çâóêà ñ ïîìîùü ïåäàëè
Ïîîêòàâíûé ñäâèã òîíàëüíîñòè êëàâèàòó²û (Octave Shift)
1. ÈñïîëüçóØ OCT [-]/[+] ò²àíñïîíèíè²óéòå ïèò÷.
Ñìåùåíèå äèàïàçîíà êëàâèàòó²û (Ò²àíñïîçèöèØ)
1. Óäå²æèâàØ [SHIFT], íàæìèòå OCT [-]/[+].
Èñïîëüçîâàíèå D Beam-êîíò²îëëå²à
1. Íàæìèòå [SOLO SYNTH], [ACTIVE EXPRESS] èëè [ASSIGNABLE] òàêèì îá²àçîì, ÷òîáû çàæåãñØ ñîîòâåòñò...
2. Ïà²àëåëüíî ñ èñïîëíåíèåì íà êëàâèàòó²å ìàíèïóëè²óéòå ²óêîé íàä D Beam- êîíò²îëëå²îì, óäàëØØ èë...
3. °òîáû âûêë ÷èòü D Beam-êîíò²îëëå² íàæìèòå êíîïêó åùå ²àç.
<Åôôåêòû, ïîëó÷àåìûå ñ ïîìîùü D Beam-êîíò²îëëå²à
<Íàñò²îéêà ÷óâñòâèòåëüíîñòè D Beam-êîíò²îëëå²à (D BEAM SENS)
1. Íàæìèòå [SOLO SYNTH], [ACTIVE EXPRESS] èëè [ASSIGNABLE], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [PARAM].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòó “Sens.”
4. Íàñò²îéòå ÷óâñòâèòåëüíîñòü ñ ïîìîùü VALUE [-]/[+].
5. Íàæìèòå [EXIT] èëè [PARAM], ÷òîáû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
<Èçìåíåíèå ïîëزíîñòè (D BEAM POLARITY)
1. Íàæìèòå [SOLO SYNTH], [ACTIVE EXPRESS] èëè [ASSIGNABLE], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàäìèòå [PARAM].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “Polarity.”
4. Ñ ïîìîùü VALUE [-]/[+] èçìåíØéòå ïîëزíîñòü.
5. Íàæìèòå [EXIT] èëè [PARAM], ÷òîáû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
Ìàñòå²-Æôôåêòû RS-70
<Âêë ÷åíèå/âûêë ÷åíèå ìàñòå²-Æôôåêòîâ
1. Íàæìèòå [PATCH], ÷òîáû âûêë ÷èòü ²åæèì ïàò÷åé.
2. Íàæìèòå [EFFECTS], ÷òîáû çàæåãñØ èíäèêàòî².
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå Æôôåêò è ñ ïîìîùü VALUE [-]/[+] âêë ÷èòå èëè âûêë ÷èò...
q06 MakeSongs.pdf
Ñîçäàíèå íîâîãî ïàòòå²íà íà áàçå ï²åäóñòàíîâëåííîãî ²èòìè÷åñêîãî ïàòòå²íà
1. Âûáî² ï²åäóñòàíîâëåííîãî ïàòòå²íà.
2. Çàïèñü áàñîâîé ïà²òèè.
3. Çàïèñü ñîëüíîé ïà²òèè (íàï²èìå², ñèíòåçàòî²à).
4. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “010:POP 1 (8Bt).”
5. Íàæìèòå [u] äëØ âîñï²îèçâåäåíèØ ïàòòå²íà.
1. Íàæìèòå [TAP TEMPO].
2. Ñ ïîìîùü VALUE [-] óñòàíîâèòå òåìï “90.”
3. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
1. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [9].
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå íóæíûé ïàò÷.
1. Åñëè ïàòòå²í íàõîäèòñØ â ï²îöåññå âîñï²îèçâåäåíèØ, îñòàíîâèòå âîñï²îèçâåäåíèå.
2. Íàæìèòå [l].
3. Èñïîëüçóéòå PAGE/CURSOR [t]/[u] äëØ ïå²åìåùåíèØ êó²ñî²à è VALUE [- ]/[+] - äëØ óñòàíîâêè çíà÷å...
1. Íàæàâ [u], âêë ÷èòå çàïèñü.
1. Âî â²åìØ çàïèñè íàæìèòå [ERASE/UNDO]. Èíñò²óìåíò ãîòîâ ê âûïîëíåíè ñòè²àíèØ.
2. Ñîò²èòå ëèøíèå íîòû.
3. Íàæìèòå [EXIT], ÷òîáû âîçîáíîâèòü çàïèñü.
1. ÍàõîäØñü â ²åæèìå çàïèñè, íàæìèòå [l].
2. Íàæìèòå [8].
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ïàò÷.
4. Íàæìèòå [l] åùå ²àç.
1. Íàæìèòå [TAP TEMPO], ÷òîáû çàæåãñØ èíäèêàòî².
2. Ñ ïîìîùü VALUE [-]/[+] èçìåíèòü òåìï.
3. Íàæìèòå [EXIT], òî÷áû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
1. Íàæìèòå [PART SELECT], ÷òîáû èíäèêàòî² ïîãàñ.
2. Íàæìèòå [WRITE].
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå íîìå² (001–256), ïîä êîòî²ûì Âû õîòèòå ñîõ²àíèòü ïàòòå²í.
4. Íàæìèòå [ENTER].
Ñîçäàíèå ïàòòå²íà “ñ íóëØ“ (Pattern Initialize)
1. Íàæàâ [PATTERN], âêë ÷èòå ²åæèì ïàòòå²íîâ.
2. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå íîìå² ïàòòå²íà äëØ èíèöèàëèçàöèè.
3. Íàæìèòå [UTILITY].
4. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “11:PTN INIT.”
5. Íàæìèòå [ENTER].
6. Íàæìèòå [ENTER] åùå ²àç, ÷òîáû âûïîëíèòü èíèöèàëèçàöè ïàòòå²íà.
Ãåäàêòè²îâàíèå çàïèñàííîãî ïàòòå²íà
q07 Minus-One.pdf
1. Âñòàâüòå äèñê, ñîäå²æàùèé ñòàíäà²òíûå MIDI-ôàéëû, â äèñêîâîä.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [TAP TEMPO].
3. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå MIDI-ôàéë.
4. Íàæìèòå [ENTER].
5. Íàæìèòå [u] äëØ âîñïîèçâåäåíèØ ôàéëà.
6. Íàæìèòå [g], ÷òîáû îñòàíîâèòü âîñï²îèçâåäåíèå.
1.  ²åæèìå âîñï²îèçâåäåíèØ SMF íàæìèòå [TRACK MUTE] òàêèì îá²à-çîì, ÷òîáû âêë ÷èëñØ èíäèêàòî².
2. Íàæìèòå êíîïêó, ñîîòâåòñòâó ùó ïà²òèè, êîòî²ó Âû õîòèòå âûêë ÷èòü.
3. Íàæìèòå [TRACK MUTE] åùå ²àç, ÷òîáû èíäèêàòî² ïîãàñ.
4. Íàæìèòå [PART SELECT] (âêë ÷èòñØ èíäèêàòî²), çàòåì íàæìèòå îäíó èç êíîïîê [0]–[9], ÷òîáû âûá²à...
r01 BasicStructure.pdf
Óñò²îéñòâî RS-70
Îñíîâíûå êîìïîíåíòû
ÑåêöèØ êëàâèàòó²û è êîíò²îëëå²îâ
ÑåêöèØ ãåíå²àòî²à çâóêà
ÑåêöèØ áûñò²îãî ñåêâåíñå²à
ÊëàññèôèêàöèØ çâóêîâ RS-70
Òîíû
수֏
Ãèòìè÷åñêèå íàáî²û
Åôôåêòû
Ñåêâåíñå²
ÒåêóùàØ ïà²òèØ
Ïàòòå²í
ÊîìïîçèöèØ
ÏîëèôîíèØ
ÏàìØòü
²åìåííàØ ïàìØòü
Îï²åàòèâíàØ (ñòè²à ùàØñØ) ïàìØòü
ÑèñòåìíàØ ïàìØòü
ÏîëüçîâàòåëüñêàØ ïàìØòü
Äèñê (3.5” 2DD, 2HD)
ÏîñòîØííàØ (íåñòè²à ùàØñØ) ïàìØòü
Èñïîëüçîâàíèå ïå²åäîâûõ ôóíêöèé
r02 BasicOperation.pdf
Âûáî² ²åæèìà
Ãåæèì ïàò÷åé
Ãåæèì ïàòòå²íîâ
Ãåæèì êîìïîçèöèé
Ãåæèì âîñï²îèçâåäåíèØ SMF
Ïà²àìåò²û ²åäàêòè²îâàíèØ
ÎñíîâíàØ ï²îöåäó²à
Âûïîëíåíèå êîìàíäû
Ââîä íàçâàíèØ
Åñëè ñò²àíèöà ñîäå²æèò íåñêîëüêî ïà²àìåò²îâ
Ââîä öèô²
1. Íàæìèòå [NUMERIC].
2. Ñ ïîìîùü êíîïîê [0]–[9] ââåäèòå íîìå².
3. ÄëØ ïîäòâå²æäåíèØ çíà÷åíèØ íàæìèòå [ENTER].
Âûáî² ïà²òèè
1. Íàæìèòå [PATTERN] èëè [SONG] äëØ âêë ÷åíèØ ñîîòâåòñòâó ùåãî ²åæèìà.
2. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
3. Íàæìèòå êíîïêó, êàê îïèñàíî íèæå
r03 CreatePatch.pdf
Ò²è ñîâåòà ïî ²åäàêòè²îâàíè ïàò÷åé
Óñòàíîâêà ïà²àìåò²îâ ïàò÷à
Ñïîñîáû èçâëå÷åíèØ òîíîâ (Key Mode)
Ãåäàêòè²îâàíèå ïà²àìåò²îâ ïàò÷à
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Âûáå²èòå ïàò÷.
3. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
4. ϲè íàëè÷èè ²åäàêòè²óåìîãî ïà²àìåò²à êó²ñî² ìèãàåò ïîä çíà÷åíèåì. Òåïå²ü ñ ïîìîùü VALUE [-]/[...
Âûáî² ïà²àìåò²îâ ïàò÷à
Óñòàíîâêà ïà²àìåò²îâ, ²àñï²îñò²à- íØ ùèõñØ íà ïàò÷ â öåëîì (Patch Common)
Íàçâàíèå (Patch Name)
Êàòåãî²èØ
Ãåæèì çâó÷àíèØ êëàâèàòó²û (Key Mode)
Ó²îâåíü ïàò÷à
Áàëàíñ òîíîâ
Òî÷êà ²àçäåëåíèØ
Split Arp
Ñîëî (Solo Switch)
ÌîäóëØöèØ òîíà (ModulationDst)
Ñãèá âûñîòû òîíà (PitchBend Dst)
ÌîäèöèêàöèØ (Modify Dest)
Åêñï²åññèØ (ExpressionDst)
Åôôåêò àêòèâíîé Æêñï²åññèè (Active Exp Sw)
Óñòàíîâêà ïà²àìåò²îâ äëØ òîíîâ ïàò÷à
Íîìå² òîíà (No.)
Ïàíî²àìè²îâàíèå òîíà (Tone Pan)
ÌóëüòèÆôôåêòû (MFX Switch)
Ó²îâåíü õî²óñà (Chorus Send Lvl)
Ó²îâåíü ²åâå²áå²àöèè (Reverb Send Lvl)
òóáàØ íàñò²îéêà òîíà (Coarse Tune)
Òî÷íàØ íàñò²îéêà (Fine Tune)
Ïî²òàìåíòî (Portamento Sw)
²åìØ ïî²òàìåíòî
Ãëóáèíà äèíàìè÷åñêîé ÷óâñòâèòåëüíîñòè (Velo Sens Depth)
Ó²îâåíü äèíàìè÷åñêîé ÷óâñòâèòåëüíîñòè (Velo Sens Ofs)
Äèàïàçîí ñãèáà òîíà (Pitch Bend Range)
Ôèëüò² ãåíå²àòî²à Í° (Filter LFO)
Ñêî²îñòü ìîäóëØöèè (Filter LFO)
Äèëåé ÃÍ° (LFO Depth)
Èçìåííåíèå òåìá²à çâóêà
°àñòîòà îòñå÷åíèØ ôèëüò²à (Cutoff Freq)
Ãåçîíàíñ
²åìØ íà²àñòàíèØ çâóêà (Attack Time)
²åìØ ñïàäà çâóêà (Decay Time)
²åìØ çàòóõàíèØ çâóêà (Release Time)
Ñîõ²àíåíèå ïàò÷à
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Âûáå²èòå ïàò÷ äëØ ²åäàêòè²îâàíèØ.
3. Âûïîëíèòå ²åäàêòè²îâàíèå ïàò÷à.
4. Ïîëó÷èâ íóæíûé çâóê, íàæìèòå [WRITE].
5. Íàæìèòå [ENTER].
6. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå êàòåãî²è ïàò÷à.
7. Íàæìèòå [ENTER] åùå ²àç, ÷òîáû âûïîëíèòü ñîõ²àíåíèå.
Êàòåãî²èè ïàò÷åé
Âñïîìîãàòåëüíûå îïå²àöèè ²å- äàêòè²îâàíèØ (Patch Utility)
Êîïè²îâàíèå ïà²àìåò²îâ ïàò÷à (PATCH PRM COPY)
Êîïè²îâàíèå âå²õíåãî èëè íèæíåãî òîíîâ
1. Íàæàòèåì [PATCH] âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:PATCH PRM COPY.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “UPPER TONE” èëè “LOWER TONE.”
6. Íàæìèòå PAGE/CURSOR [u].
7. Íàæìèòå PAGE/CURSOR [u].
8. Íàæìèòå [ENTER].
Êîïè²îâàíèå ïà²àìåò²îâ ìóëüòèÆôôåêòîâ, õî²óñà èëè ²åâå²áå²àöèè
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:PATCH PRM COPY.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “MFX,” “CHORUS,” èëè “REVERB.”
6. Íàæìèòå PAGE/CURSOR [u].
7. Íàæìèòå PAGE/CURSOR [u].
8. Íàæìèòå [ENTER].
ÈíèöèàëèçàöèØ ïà²àìåò²îâ ïàò÷à (PATCH INITIALIZE)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u] âûáå²èòå “2:PATCH INITIALIZE.”
4. Íàæìèòå [ENTER].
5. Íàæìèòå [ENTER] åùå ²àç äëØ âûïîëíåíèØ îïå²àöèè.
Óäàëåíèå ñîõ²àíåííîãî ïàò÷à (PATCH REMOVE)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “3:PATCH REMOVE.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ïàò÷ ïîëüçîâàòåëØ, êîòî²ûé ò²åáóåòñØ óäàëèòü.
6. Íàæìèòå [ENTER].
Ïå²åäà÷à ïà²àìåò²îâ ïàò÷à/²èòì-íàáî²à ÷å²åç êîííåêòî² MIDI-OUT (XFER to MIDI)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “4:XFER to MIDI.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “CURRENT PATCH” (òåêóùèé ïàò÷) èëè “USER PATCHES” (ïàò÷è ïîë...
6. ÍàæèìàØ PAGE/CURSOR [u], âûáå²èòå öèô²ó ïå²âîãî ²àç²Øäà íîìå²à ïàò÷à, êîòî²ûé Âû ñîáè²àåòåñü ï...
7. ÍàæèìàØ PAGE/CURSOR [u], âûáå²èòå öèô²ó ïîñëåä-íåãî ²àç²Øäà íîìå²à ïàò÷à, êîòî²ûé Âû ñîáè²àåòå...
8. Íàæìèòå [ENTER].
Âîññòàíîâëåíèå çàâîäñêèõ çíà÷åíèé (FACTORY RESET)
r04 CreateRhythm.pdf
Óñòàíîâêà ïà²àìåò²îâ ²èòì- íàáî²îâ
Ãåäàêòè²îâàíèå ïà²àìåò²îâ ²èòì-íàáî²à
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Âûáå²èòå ²èòì-íàáî² (ñò². 26).
3. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
4. ϲè íàëè÷èè ²åäàêòè²óåìîãî ïà²àìåò²à êó²ñî² ìèãàåò ïîä åãî çíà÷åíèåì. ÈñïîëüçóØ VALUE [-]/[+],...
Âûáî² ïà²àìåò²îâ ²èòì-íàáî²à
Óñòàíîâêà îáùèõ ïà²àìåò²îâ ²èòì- íàáî²à (Rhythm Common)
Íàçâàíèå ²èòì-íàáî²à (Name)
Ãåäàêòè²îâàíèå èíäèâèäóàëüíûõ ïà²àìåò²îâ êàæäîãî òîíà (Rhythm Tone)
Ïèò÷ (Pitch)
Ó²îâåíü (Level)
Ïàíî²àìè²îâàíèå (Pan)
Ó²îâåíü õî²óñà (Chorus Send Lvl)
Ó²îâåíü ²åâå²áå²àöèè (Reverb Send Level)
Ñîõ²àíåíèå ²èòì-íàáî²à ïîëüçîâàòåëØ
1. Íàæàâ [PATCH],âêë ÷èòå ²åæèì ïàò÷åé.
2. Âûáå²èòå ²èòì-íàáî² äëØ ²åäàêòè²îâàíèØ.
3. Âûïîëíèòå ²åäàêòè²îâàíèå ²èòì-íàáî²à è ²èòìè÷åñ-êèõ òîíîâ.
4. Çàâå²øèâ ²åäàêòè²îâàíèå ²èòì-íàáî²à, íàæìèòå [WRITE].
5. Íàæìèòå [ENTER].
Âñïîìîãàòåëüíûå îïå²àöèè ²å- äàêòè²îâàíèØ ²èòì-íàáî²à (Rhythm Set Utility)
Êîïè²îâàíèå ïà²àìåò²îâ Æôôåêòà ²èòì- íàáî²à (RHYTHM PRM COPY)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:RHY PRM COPY.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “MFX,” “CHORUS,” èëè “REVERB.”
6. Íàæìèòå PAGE/CURSOR [u].
7. Íàæìèòå PAGE/CURSOR [u].
8. Íàæìèòå [ENTER].
ÈíèöèàëèçàöèØ ïà²àìåò²îâ ²èòì-òîíà (RHYTHM INITIALIZE)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Âûáå²èòå ²èòìè÷åñêèé íàáî², êîòî²ûé ñîäå²æèò ²èòì-òîí, ïîäëåæàùèé èíèöèàëèçàöèè.
3. Íàæìèòå [UTILITY].
4. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “2:RHY INITIALIZE.”
5. Íàæìèòå [ENTER].
6. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ²èòì-òîí, ïîäëåæà-ùèé èíèöèàëèçàöèè.
7. Íàæìèòå [ENTER] åùå ²àç.
Óäàëåíèå ñîõ²àíåííîãî ²èòì-íàáî²à (RHYTHM REMOVE)
1. Íàæàâ [PATCH], âêë ÷èòå ²åæèì ïàò÷åé.
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “3:RHY REMOVE.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ²èòì-íàáî², ïîäëå-æàùèé óäàëåíè .
6. Íàæìèòå [ENTER].
r06 CreatePattern.pdf
Èñïîëíåíèå ïàòòå²íîâ
Îñíîâíûå îïå²àöèè âîñï²îèçâåäåíèØ
Âûáî² ïàòòå²íà äëØ âîñï²îèçâåäåíèØ
1. Íàæàâ [PATTERN], âêë ÷èòå ²åæèì ïàòòå²íîâ.
2. Âûáå²èòå íîìå² ïàòòå²íà äëØ âîñï²îèçâåäåíèØ.
3. Íàæàâ [u], âêë ÷èòå âîñïîèçâåäåíèå ïàòòå²íà.
Âûáî² íîìå²à ïàòòå²íà
Ñ ïîìîùü VALUE [-]/[+]
Ñ ïîìîùü êíîïîê ï²Øìîãî äîñòóïà
1. Íàæìèòå [NUMERIC], ÷òîáû çàæåãñØ èíäèêàòî².
2. Ñ ïîìîùü êíîïîê [0]–[9] ââåäèòå ò²åõçíà÷íûé íîìå².
3. ÄëØ ïîäòâå²æäåíèØ çíà÷åíèØ íàæìèòå [ENTER].
Ïå²åêë ÷åíèå ïàòòå²íîâ âî â²åìØ âîñï²îèçâåäåíèØ
1. Âî â²åìØ âîñï²îèçâåäåíèØ ïàòòå²íà âûáå²èòå ñëåäó ùèé ïàòòå²í.
2. Êîãäà çàêîí÷èòñØ âîñï²îèçâåäåíèå òåêóùåãî ïàòòå²íà, íà÷íåò çâó÷àòü ïàòòå²í, âûá²àííûé íà Æòàïå 1.
Âûêë ÷åíèå çâó÷àíèØ ïà²òèè (Track Mute)
1. Íàæìèòå [TRACK MUTE], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå ñâåòØùó ñØ èëè ìèãà ùó êíîïêó [0]–[9], ñî- îòâåòñòâó ùó êàæäîé ïà²òèè, ÷òîáû ïå²åêë ...
Êî²²åêöèØ òåìïà ïàòòå²íà
1. Íàæìèòå [TAP TEMPO], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ VALUE [-]/[+], âûïîëíèòå êî²²åêöè òåìïà.
3. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
ÌîäèôèêàöèØ òåìïà ñ ïîìîùü êíîïêè [Tap Tempo]
1. Íàæìèòå [TAP TEMPO] ò²è èëè áîëåå ²àç ñ îï²åäåëåí-íîé ÷àñòîòîé.
Çàïèñü èñïîëíåíèØ â ²åàëüíîì ìàñøòàáå â²åìåíè
Çàïèñü
1. Âûáî² ïà²òèè çâóêà äëØ çàïèñè
1. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ êíîïêè [0]–[9], âûáå²èòå ïà²òè äëØ çàïèñè.
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ïàò÷.
2. Ïîäãîòîâêà ê çàïèñè
1. Îñòàíîâèòå âîñï²îèçâåäåíèå òåêóùåãî ïàòòå²íà.
2. Íàæìèòå [l].
3. Ïå²åìåùàéòå êó²ñî² íàæàòèåì PAGE/CURSOR [t]/[u] è ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèØ.
3. Çàïèñü
1. Íàæìèòå [u], ÷òîáû íà÷àòü çàïèñü.
4. Ãåïåòè²îâàíèå ïå²åä çàïèñü ñëåäó ùåé ïà²òèè
1. ÍàõîäØñü â ²åæèìå çàïèñè, íàæìèòå [l] åùå ²àç.
2. ÈñïîëüçóØ êíîïêè [0]–[9], âûáå²èòå ñëåäó ùó ïà²òè äëØ çàïèñè.
3. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå ïàò÷.
5. Çàïèñü ñëåäó ùåé ïà²òèè
1. ÍàõîäØñü â ²åæèìå ²åïåòè²îâàíèØ çàïèñè, íàæìèòå [l] åùå ²àç.
6. Îñòàíîâêà çàïèñè
1. ÄëØ îñòàíîâêè çàïèñè ïàòòå²íà íàæìèòå [g].
Íàçíà÷åíèå ïàò÷åé îäíîé êàòåãî²èè ²àç-íûì öèô²îâûì êíîïêàì
Ïîñëåäîâàòåëüíîå àóäè²îâàíèå âñò²îåííûõ çâóêîâ RS-70/ϲîñìîò² ñïèñêà ïîëüçîâà- òåëüñêèõ ïàò÷åé
Óäàëåíèå äàííûõ âî â²åìØ çàïèñè (Realtime Erase)
1. Âî â²åìØ çàïèñè íàæìèòå [ERASE/UNDO], ÷òîáû àêòè- âè²îâàòü ñîñòîØíèå ãîòîâíîñòè ê óäàëåíè äàí...
2. Ñîò²èòå íåíóæíûå íîòû.
3. ÈñïîëüçóØ [0]–[9], âûáå²èòå ïà²òè , ñîäå²æàùó äàí-íûå, êîòî²ûå ò²åáóåòñØ óäàëèòü.
4. Óäàëèòå çàïèñàííûå äàííûå àíàëîãè÷íî Æòàïó 2.
5. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ â ²åæèì çàïèñè.
Ïîâòî²íàØ çàïèñü ô²àãìåíòà (Punch In/ Punch Out)
Âûáî² ã²àíèö ô²àãìåíòà â ²åæèìå âîñï²îèç-âåäåíèØ êîìïîçèöèè (Manual Punch In/Out)
1. Àêòèâè²óéòå [M.PUNCH].
2. ÍàõîäØñü â ²åæèìå îæèäàíèØ çàïèñè, ñ ïîìîùü êíîïîê [0]– [9] âûáå²èòå ïà²òè äëØ çàïèñè.
3. Íàæìèòå [u].
4.  òîì ìåñòå, ãäå Âû õîòèòå íà÷àòü çàïèñü, íàæìèòå [l].
5.  òîì ìåñòå, ÷òî Âû õîòèòå îñòàíîâèòü çàïèñü, íàæìèòå [l] åùå ²àç.
6. Çàâå²øèâ çàïèñü ïàòòå²íà, íàæìèòå [g].
Âûáî² ã²àíèö ô²àãìåíòà äî íà÷àëà âîñï²îèç- âåäåíèØ (Auto Punch-In/Out)
1. Àêòèâè²óéòå [A.PUNCH] è óñòàíîâèòå ïà²àìåò²û “PunchIn” è “PunchOut”, îï²åäåëØ ùèå ã²àíèöû ô²àã...
2. ÍàõîäØñü â ²åæèìå îæèäàíèØ çàïèñè, ñ ïîìîùü êíîïîê [0]– [9] âûáå²èòå ïà²òè äëØ çàïèñè.
3. Íàæìèòå [u].
4.  ïîçèöèè, óñòàíîâëåííîé äëØ “PunchIn,” âêë ÷èòñØ çà-ïèñü.
5.  ïîçèöèè, óñòàíîâëåííîé äëØ “PunchOut,” çàïèñü îñòàíîâèòñØ è âîçîáíîâèòñØ âîñï²îèçâåäåíèå.
6. Íàæìèòå [g] ÷òîáû îñòàíîâèòü çàïèñü.
Àííóëè²îâàíèå/îòìåíà ï²åäûäóùåé îïå²àöèè çàïèñè
Àííóëè²îâàíèå (Undo)
1. Îñòàíîâèâ âîñï²îèçâåäåíèå, íàæìèòå [ERASE/UNDO].
2. Íàæìèòå [ENTER], ÷òîáû âûïîëíèòü àííóëè²îâàíèå.
Îòìåíà (Redo)
1. Âûïîëíèâ àííóëè²îâàíèå, íàæìèòå [ERASE/UNDO].
2. Íàæìèòå [ENTER], ÷òîáû âûïîëíèòü îòìåíó.
Ïà²àìåò²û çàïèñè â ²åàëüíîì ìàñøòàáå â²åìåíè
Âûáî² ïà²àìåò²îâ çàïèñè
Âûáî² ìåòîäà çàïèñè (REC MODE)
Ñèíõ²îíèçàöèØ íà÷àëà çàïèñè
Ìåòîäû çàïèñè
PunchIn (Âêë ÷åíèå)
PunchOut (Âûêë ÷åíèå)
Ñèíõ²îíèçàöèØ èñïîëíåíèØ è çàïèñè (REC QUANTIZE)
Òèï
Íîòíîå ²àç²åøåíèå (Grid Resolution)
Ñòåïåíü êâàíòîâàíèØ (Grid Strength)
Ãàç²åøåíèå ñïîíòàííîãî êâàíòîâàíèØ (Shuf Resolution)
ÊîÆôôèöèåíò ñïîíòàííîãî êâàíòîâàíèØ (Shuf Rate)
Âûáî² ìàòå²èàëà äëØ çàïèñè (REC SELECT)
Èçìåíåíèå êîìàíäû (Ctrl Change)
Èçìåíåíèå ï²îã²àììû (Prog Change)
Êàíàëüíîå ïîñëåêàñàíèå (Ch After)
Ñãèá òîíà (Pitch Bend)
ÈñõîäØùèå ñèñòåìíûå ñîîáùåíèØ (SysEx)
Çàïèñü ñ èñïîëüçîâàíèåì à²ïåäæàòî²à
1. Íàæìèòå [PHRASE/ARPEGGIO], ÷òîáû çàæåãñØ èíäèêàòî².
2. Âûáå²èòå ìîäåëü à²ïåäæèî.
3. Íà÷íèòå çàïèñü.
4. °òîáû çàêîí÷èòü èñïîëíåíèå à²ïåäæèî íàæìèòå [PHRASE/ ARPEGGIO] åùå ²àç. Èíäèêàòî² ïîãàñíåò.
Ñîçäàíèå ñîáñòâåííîé ìîäåëè à²ïåäæèî (User Template)
1. Íàæìèòå [PHRASE/ARPEGGIO], ÷òîáû çàæåãñØ èíäèêà-òî².
2. Ñ ïîìîùü êíîïîê [0]–[9] âûáå²èòå ìîäåëü, îòâå÷à -ùó âàøåìó çàìûñëó.
3. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
4. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], ïå²åìåùàéòå êó²-ñî², è ñïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå.
5. Çàâå²øèâ ²åäàêòè²îâàíèå ïà²àìåò²îâ, íàæìèòå [WRITE].
6. Íàæàòü [ENTER].
Ñïèñîê ïà²àìåò²îâ ìîäåëåé ïîëüçîâàòåëØ
Ñòèëü à²ïåäæèî (Style)
Âà²èàöèè à²ïåäæèî (Variation)
Ìîòèâ à²ïåäæèî (Motif)
Àêöåíò (Accent Rate)
ÊîÆôôèöèåíò õàîòè÷íîñòè (Shuf Rate)
Çàäå²æêà äîëåé (Shuf Resolution)
Ãåæèì îæèäàíèØ (Hold)
Äèíàìè÷åñêîå ²åàãè²îâàíèå êëàâèòó²û (Kbd Velocity)
Îêòàâíûé äèàïàçîí à²ïåäæèî (Octave Range)
Âêë ÷åíèå êëàâèø (Key Trigger)
Èñïîëüçîâàíèå áàíêà àêêî²äîâ ï²è çàïèñè
1. Íàæìèòå [CHORD MEMORY], ÷òîáû çàæåãñØ èíäèêàòî².
2. Âûáå²èòå íàáî² àêêî²äîâ (ñò². 29).
3. Íà÷íèòå çàïèñü.
4. Çàêîí÷èâ èñïîëíåíèå ñ èñïîëüçîâàíèåì áàíêà àêêî²äîâ, íàæìèòå [CHORD MEMORY], ÷òîáû èíäèêàòî² ï...
Ñîçäàíèå èíäèâèäóàëüíîãî íàáî²à àêêî²äîâ (User Chord Set)
1. Íàæìèòå [CHORD MEMORY], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [PARAM].
3. ÍàæèìàØ PAGE/CURSOR [t], ïå²åìåñòèòå êó²ñî² â ïî-çèöè ïîä íîìå²îì êëàâèøè.
4. Íàæàòèåì êëàâèøè ëèáî ñ ïîìîùü VALUE [-]/[+] âûáå²èòå êëàâèøó, êîòî²îé ï²åäïèñûâàåòñØ àêêî²ä.
5. ÍàæèìàØ PAGE/CURSOR [u], ïå²åìåñòèòå êó²ñî² âï²àâî.
6. ÍàæèìàØ êëàèâøè, ââåäèòå àêêî²äû.
7. Îòïóñòèòå âñå êëàâèøè.
8. Ïîâòî²èòå âûøåîïèñàííûå øàãè, ÷òîáû ï²îäîëæèòü ââîä äàííûõ.
9. Çàâå²øèâ ñîçäàíèå íàáî²à àêêî²äîâ, íàæìèòå [WRITE].
10. Ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå íîìå² íàáî²à àêêî²äîâ ïîëüçîâàòåëØ.
11. Íàæìèòå [ENTER].
ÏîñëåäîâàòåëüíàØ çàïèñü (Step Recording)
1. Âûáî² ïà²òèè çâóêà äëØ çàïèñè
1. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
2. Ñ ïîìîùü êíîïîê [0]–[9] âûáå²èòå ïà²òè äëØ çàïèñè.
3. ÈñïîëüçóØ VALUE [-]/[+] âûáå²èòå ïàò÷.
2. Äåæó²íûé ²åæèì çàïèñè
1. Åñëè ïàòòå²í âîñï²îèçâîäèòñØ, îñòàíîâèòå âîñï²îèçâå-äåíèå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [].
3. Ïå²åìåùàéòå êó²ñî², íàæèìàØ PAGE/CURSOR []/[], è ñ ïîìîùü VALUE [-]/[+], óñòàíîâèòå çíà÷åíèå.
3. Çàïèñü
1. Íàæìèòå [], ÷òîáû âêë ÷èòü çàïèñü.
2. Ñ ïîìîùü VALUE [+]/[-] âûáå²èòå “Step.”
Step (²åìØ ñòåïà)
3. Íàæìèòå [PARAM].
4. Ñ ïîìîùü PAGE/CURSOR []/[] âûáå²èòå “Gate Time Ratio,” èëè “Velocity.”
Ãåéò (Gate)
Äèíàìèêà (Velocity)
5. Íàæìèòå êëàâèøó.
6. Ïîâòî²èòå øàãè 2–5, ÷òîáû ï²îäîëæèòü ââîä äàííûõ.
7. Çàâå²øèâ ââîä íîò, íàæìèòå [], ÷òîáû îñòàíîâèòü çàïèñü.
Ââîä ²àçëè÷íûõ âèäîâ íîòíûõ äàííûõ
Ââîä àêêî²äà
Ââîä ïàóçû
Ââîä ëèãè
Ââîä öåëûõ íîò
Ââîä íîòû ñ òî÷êîé
Óäàëåíèå îøèáî÷íûõ äàííûõ
Ãåäàêòè²îâàíèå îòäåëüíûõ Æëåìåíòîâ äàííûõ (Microscope edit)
Ìóçûêàëüíûå äàííûå, ²åäàêòè²óå-ìûå â ²åæèìå Microscope
Íîòû (Note)
Ïîëèôîíè÷åñêîå ïîñëåêàñàíèå (PAft)
Èçìåíåíèå êîíò²îëØ (CtrlChg)
Èçìåíåíèå ï²îã²àììû (ProgChg)
Êàíàëüíîå ïîñëåêàñàíèå (Ch Aft)
Ñãèá òîíà (PitchBend)
Íàñò²îéêà (TUNE)
ÈñõîäØùèå ñèñòåìíûå ñîîáùåíèØ (SYS-EX)
Ãåäàêòè²îâàíèå ìóçûêàëüíûõ äàííûõ
1. Âûáå²èòå ïàòòå²í äëØ ²åäàêòè²îâàíèØ.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [].
3. Ñ ïîìîùü êíîïîê [0]–[9] âûáå²èòå ïà²òè äëØ ²åäàê- òè²îâàíèØ.
4. Ñ ïîìîùü PAGE/CURSOR []/[] ïå²åìåñòèòå êó²-ñî² ïîä íóæíó ïîçèöè (òàêò-äîëØ-èìïóëüñ) è, íàæè...
5. ÍàæèìàØ PAGE/CURSOR [], ïå²åìåñòèòå êó²ñî² â íóæíó ïîçèöè è ñ ïîìîùü VALUE [-]/[+] ìîäèôè-ö...
ÌîäèôèêàöèØ èñõîäØùèõ ñèñòåìíûõ äàííûõ
1. Íà Æòàïå 4, îïèñàííîì âûøå, âûáå²èòå èñõîäØùåå ñèñ-òåìíîå ñîîáùåíèå, êîòî²îå ïîäëåæèò ìîäèôèêà...
2. Íàæìèòå PAGE/CURSOR [].
3. Ââåäèòå çíà÷åíèå
4. Íàæìèòå [ENTER], ÷òîáû çàâå²øèòü ìîäèôèêàöè .
Àâòîìàòè÷åñêèé ²àñ÷åò êîíò²îëüíîé ñóììû (Auto calculate checksum)
Âûáî² ìóçûêàëüíûõ äàííûõ äëØ ï²îìîñò²à (View Filter)
1. Â ìåí Microscope íàæìèòå [PARAM].
2. ÍàæèìàØ PAGE/CURSOR []/[], âûáå²èòå òèï ìó- çûêàëüíûõ äàííûõ, à ñ ïîìîùü VALUE [-]/[+] óñòàíî...
3. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ â ìåí Microscope.
Âñïîìîãàòåëüíûå ôóíêöèè Microscope (Microscope Utility)
Âñòàâêà Æëåìåíòà äàííûõ (INS)
1.  ìåí Microscope âûçîâèòå íà äèñïëåé ïîçèöè (òàêò-äîëØ- èìïóëüñ), â êîòî²ó ò²åáóåòñØ âñòàâè...
2. Íàæìèòå [UTILITY].
3. Íàæìèòå [1] äëØ âûáî²à “1.INS.”
4. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå òèï ìöçûêàëüíûõ äàííûõ, êîòî²ûå ò²åáóåòñØ ââåñòè.
5. Íàæìèòå [ENTER] äëØ âûïîëíåíèØ îïå²àöèè.
Óäàëåíèå Æëåìåíòà äàííûõ (DEL)
1. Â ìåí Microscope âûçîâèòå íà äèñïëåé Æëåìåíò äàííûõ, ïîäëåæàùèé óäàëåíè .
2. Íàæìèòå [UTILITY].
3. Íàæìèòå [2] äëØ âûáî²à “2.DEL.”
Ïå²åìåùåíèå Æëåìåíòà äàííûõ (MOVE)
1. Âûçîâèòå íà äèñïëåé Æåëåìåíò äàííûõ, êîòî²ûé ò²åáó-åòñØ ïå²åìåñòèòü.
2. Íàæìèòå [UTILITY].
3. Íàæìèòå [3] äëØ âûáî²à “3.MOVE.”
4. Ââåäèòå ïîçèöè (òàêò-äîëØ-èìïóëüñ), â êîòî²ó ïå²åìåùàåòñØ Æåëåìåíò äàííûõ.
5. Íàæìèòå [ENTER] äëØ çàâå²øåíèØ îïå²àöèè.
Êîïè²îâàíèå Æëåìåíòà äàííûõ (COPY)
1. Âûçîâèòå íà äèñïëåé Æåëåìíò äàííûõ, êîòî²ûé ò²åáóåòñØ ñêîïè²îâàòü.
2. Íàæìèòå [UTILITY].
3. Íàæìèòå [4] äëØ âûïîëíåíèØ “4.COPY.”
Âñòàâêà ñêîïè²îâàííûõ äàííûõ (PASTE)
1. Âûçîâèòå íà äèñïëåé ïîçèöè , â êîòî²ó ò²åáóåòñØ âñòàâèòü ñêîïè²îâàííûé Æëåìåíò äàííûõ.
2. Íàæìèòå [UTILITY].
3. Íàæìèòå [5] äëØ âûïîëíåíèØ “5.PASTE.”
Ãåäàêòè²îâàíèå ïà²àìåò²îâ ïàòòå²íà
Óñòàíîâêà ïà²àìåò²îâ, ²àñï²îñò²à- íØ ùèõñØ íà âåñü ïàòòå²í
1. Íàæàâ [PATTERN], âêë ÷èòå ²åæèì ïàòòå²íîâ.
2. Âûáå²èòå ïàòòå²í.
3. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
4. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå ïà²à-ìåò², à ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå.
Óñòàíîâêà îáùèõ ïà²àìåò²îâ ïàòòå²íà (Pattern Common Parameters)
Name (Íàçâàíèå ïàòòå²íà)
Voice Rsv 1–16 (Íîòíîå ²åçå²âè²îâàíèå)
Ó²îâåíü ïàòòå²íà (Level)
Èñòî÷íèê ìóëüòèÆôôåêòîâ (MFX Source)
Ïà²àìåò²û ñåêâåíñå²à (Pattern Sequencer Parameters)
Òåìï ïàòòå²íà (Pattern Tempo)
Èçìåíåíèå òåìïà ïàòòå²íà (Tempo Change)
Êîíå÷íîå çíà÷åíèå òåìïà (End Tempo)
ʲèâàØ èçìåíåíèØ òåìïà (Tempo Chg Crv)
Ãåäàêòè²îâàíèå Æôôåêòîâ ïàòòå²íà
Ãåäàêòè²îâàíèå ïà²àìåò²îâ ïà²òèè (Part Setup)
1. Íàæàâ [PATTERN], àêòèâè²óéòå ²åæèì ïàòòå²íîâ.
2. Âûáå²èòå ïàòòå²í.
3. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
4. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
5. ÈñïîëüçóØ êíîïêè [0]–[9], âûáå²èòå ïà²òè äëØ ²åäàê- òè²îâàíèØ.
6. ÍàæèìàØ PAGE/CURSOR []/[], âûá²èòå ïà²àìåò², è ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå.
Ïà²àìåò²û ïà²òèè (Part Setup)
Ó²îâåíü ïà²òèè (Level)
Ïàíî²àìè²îâàíèå (Pan)
ϲèíèìà ùèé êàíàë (Receive Ch)
Âêë ÷åíèå ï²èåìà (Receive Sw)
ϲèåì êîìàíä èçìåíåíèØ ï²îã²àììû (Receive Prg Chg)
ϲèåì êîìàíä âûáî²à áàíêà (Receive Bank Sel)
Âûáî² òîíàëüíîñòè (Scale Tune)
Ãåäàêòè²îâàíèå ïàò÷à (Part Patch Edit)
Ãåäàêòè²îâàíèå ïà²àìåò²îâ òîíàëüíîñòè (SCALE TUNE)
1. Âûáå²èòå ïà²àìåò² ïà²òèè “Scale Tune“ (ñò². 81)
2. Íàæìèòå [ENTER].
3. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå “Type” èëè “Tune” è ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå ç...
4. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ ê ï²åäûäóùåìó ìåí .
Òèï øêàëû (Type)
Òîíàëüíîñòü C-B (Tune C–B)
Ãåäàêòè²îâàíèå ïà²àìåò²îâ Æôôåê-òîâ äëØ êàæäîé ïà²òèè ïàòòå²íà (Pattern Part Effect)
1. Íàæìèòå [PATTERN], ÷òîáû àêòèâè²îâàòü ²åæèì ïàò-òå²íîâ.
2. Âûáå²èòå ïàòòå²í.
3. Íàæìèòå [PART SELECT], ÷òîáû çàæåãñØ èíäèêàòî².
4. ÈñïîëüçóØ [0]–[9], âûáå²èòå ïà²òè , ïà²àìåò²û êîòî²îé Âû ñîáè²àåòåñü ²åäàêòè²îâàòü.
5. Íàæìèòå [EFFECTS], ÷òîáû çàæåãñØ èíäèêàòî².
6. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå ïà²àìåò², è ñ ïîìîùü VALUE [-]/[+] ââåäèòå çíà÷åíèå.
Âêë ÷åíèå ìàñòå²-Æôôåêòîâ Master Effects Switch
Âêë ÷åíèå ìóëüòèÆôôåêòîâ (MFX Switch)
Ó²îâåíü õî²óñà (Chorus Send Lvl)
Ó²îâåíü ²åâå²áå²àöèè (Reverb Send Lvl)
Ñîõ²àíåíèå ïàòòå²íà
1. Íàæìèòå [WRITE].
2. Íàæìèòå [ENTER].
3. °òîáû ñîõ²àíèòü îò²åäàêòè²îâàííûé ïàò÷ íàæìèòå [ENTER].
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå êàòåãî²è äëØ ñîõ²à-íØåìîãî ïàò÷à ïîëüçîâàòåëØ.
6. Íàæìèòå [ENTER] åùå ²àç äëØ çàâå²øåíèØ îïå²àöèè.
7. Ïîñëå ñîõ²àíåíèØ âñåõ ïàò÷åé íà äñèïëåå îòîá²àæàåòñØ èñõîäíàØ èíäèêàöèØ (Æòàï 1).
8. Íàæìèòå [ENTER].
Âñïîìîãàòåëüíûå îïå²àöèè ²åäàêòè²îâàíèØ ïàòòå²íà (Pattern Utility)
1. Íàæìèòå [PATTERN], ÷òîáû àêòèâè²îâàòü ²åæèì ïàò-òå²íîâ.
2. Âûáå²èòå ïàòòå²í.
3. Íàæìèòå [UTILITY].
4. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå Æëåìåíò âñïîìîãàòåëüíîãî ìåí .
5. Íàæìèòå [ENTER].
6. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå ïà²à-ìåò² è ñ ïîìîùü VALUE [-]/[+] ââåäèòå çíà÷åíèå.
7. Çàâå²øèâ óñòàíîâêó âñåõ çíà÷åíèé, íàæìèòå [ENTER] äëØ âûïîëíåíèØ çàäà÷è.
8. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ ê èñõîäíîìó ìåí .
Ñòè²àíèå ïàòòå²íà (PTN ERASE)
Ïà²òèØ (Part)
Òàêò (Meas)
Òèï äàííûõ (Event)
Óäàëåíèå òàêòà (PTN DELETE)
Meas (Òàêò)
Êâàíòîâàíèå ïàòòå²íà (PTN QUANTIZE)
Part (Ïà²òèØ)
Meas (Òàêò)
Note (Íîòû)
Type (Òèï)
Grid Resolution (Íîòíîå ²àç²åøåíèå)
Grid Strength (Ñèëà íîòû)
Shuf Resolution (Íîòíîå ²àç²åøåíèå ñïîíòàííîãî êâàíòîâàíèØ)
Shuf Rate (ÊîÆôôèöèåíò ñïîíòàííîãî êâàíòîâàíèØ)
Êîïè²îâàíèå ïàòòå²íà (PTN COPY)
Src (Èñòî÷íèê)
Part (Ïà²òèØ)
Meas (Òàêò)
Óñòàíîâî÷íûå äàííûå ïàòòå²íà
Event (Åëåìåíò äàííûõ)
To Meas (Òàêò)
Mode (Ìåòîä)
Times (°èñëî êîïèé)
Âñòàâêà “ïóñòûõ“ òàêòîâ(PTN INSERT)
Meas (Òàêòû)
Ò²àíñïîçèöèØ ïèò÷à (PTN TRANSPOSE)
Part (Ïà²òèØ)
Meas (Òàêòû)
Note (Íîòû)
Bias (Øàã ò²àíñïîçèöèè)
ÌîäèôèêàöèØ ñèëû íîò (PTN CHG VEL)
Part (Ïà²òèØ)
Meas (Òàêòû)
Note (Íîòû)
MODE (Ñïîñîá ìîäèôèêàöèè)
ÌîäèôèêàöèØ äëèíû íîòû (PTN CHG GT)
Part (Ïà²òèØ)
Meas (Òàêòû)
Note (Íîòû)
MODE (Ìåòîä)
Ñäâèã äàííûõ ïàòòå²íà (PTN SHIFT CLK)
Part (Ïà²òèØ)
Meas (Òàêò)
Event (Òèï äàííûõ)
Bias (Øàã ñäâèãà)
Óïëîòíåíèå äàííûõ (PTN DATA THIN)
Part (Ïà²òèØ)
Meas (Òàêò)
Event (Òèï äàííûõ)
Çíà÷åíèå
Time (²åìØ)
ÈíèöèàëèçàöèØ ïà²àìåò²îâ ïàòòå²íà (PTN INIT)
Ñîçäàíèå ñîáñòâåííîãî ñòèëØ à²ïåäæèî (PTNgARP CONV)
1. Íàæàâ [PATTERN], àêòèâè²óéòå ²åæèì ïàòòå²íîâ.
2. Âûáå²èòå ïàòòå²í, êîòî²ûé íóæíî ï²åîá²àçîâàòü â ñòèëü à²ïåäæèî.
3. Íàæìèòå [UTILITY].
4. ÈñïîëüçóØ PAGE/CURSOR []/[], âûáå²èòå “12: PTNgARP CONV.”
5. Íàæìèòå [ENTER].
6. ÈñïîëüçóØ PAGE/CURSOR []/[], ïå²åìåñòèòå êó²-ñî², è ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå.
Part (Ïà²òèØ)
Meas (Òàêò)
To (Ãåãèñò²àöèØ)
7. Çàâå²øèâ óñòàíîâêó ïà²àìåò²îâ, íàæìèòå [ENTER], ÷òîáû ïîäòâå²äèòü çàäà÷ó.
Êîïè²îâàíèå ïà²àìåò²îâ ïà²òèè (PRT PRM COPY)
What (Òèï äàííûõ)
Êîïè²îâàíèå ïà²àìåò²îâ êàæäîé ïà²òèè
1. Âûáå²èòå “PART”.
2. Íàæìèòå PAGE/CURSOR [].
3. Íàæìèòå PAGE/CURSOR [].
4. Íàæìèòå PAGE/CURSOR [].
5. Íàæìèòå [ENTER].
Êîïè²îâàíèå ïà²àìåò²îâ Æôôåêòîâ
1. Âûáå²èòå “MFX,” “CHORUS,” èëè “REVERB.”
2. Íàæìèòå PAGE/CURSOR [].
3. Íàæìèòå PAGE/CURSOR [].
4. Íàæìèòå [ENTER].
Ïå²åäà÷à ïà²àìåò²îâ ïàòòå²íà ÷å²åç êîííåêòî² MIDI OUT (XFER to MIDI)
What (Òèï äàííûõ)
Ïå²åäà÷à ïà²àìåò²îâ òåêóùåãî ïàòòå²íà
1. Âûáå²èòå “CUR PTN/PERF.”
2. Íàæìèòå [ENTER].
Ïå²åäà÷à ïà²àìåò²îâ ïàòòå²íà ïîëüçîâàòåëØ
1. Âûáå²èòå “USER PTN/PERF.”
2. Íàæìèòå PAGE/CURSOR [].
3. Íàæìèòå PAGE/CURSOR [].
4. Íàæìèòå [ENTER].
Âîññòàíîâëåíèå çàâîäñêèõ çíà÷åíèé (FACTORY RESET)
r09 CreateSongs.pdf
Âîñï²îèçâåäåíèå êîìïîçèöèè
Îñíîâíûå îïå²àöèè âîñï²îèçâåäåíèØ
Âûáî² ñîíãà äëØ âîñï²îèçâåäåíèØ
1. Íàæàâ [SONG], âêë ÷èòå ²åæèì êîìïîçèöèé.
2. Âûáå²èòå íîìå² ñîíãà (01–99) äëØ âîñï²îèçâåäåíèØ.
3. Íàæàâ [u], âêë ÷èòå âîñï²îèçâåäåíèå.
Âûáî² íîìå²à ñîíãà
Ñ ïîìîùü VALUE [-]/[+]
Ñ ïîìîùü êíîïîê ï²Øìîãî äîñòóïà
1. ÍàæèìàØ [0]–[9] ââåäèòå íîìå².
1. Íàæìèòå [NUMERIC], ÷òîáû âêë ÷èëñØ èíäèêàòî².
2. ÈñïîëüçóØ [0]–[9], ââåäèòå äâóçíà÷íûé íîìå².
3. ÄëØ ïîäòâå²æäåíèØ çíà÷åíèØ íàæìèòå [ENTER].
Îòêë ÷åíèå ïà²òèè (Track Mute)
1. Íàæìèòå [TRACK MUTE], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÍàæèìàØ ñâåòØùèåñØ èëè ìèãà ùèå êíîïêè ïà²òèé, ïå²åêë ê÷àéòå ñòàòóñ “play/mute“.
Òåìï ñîíãà
1. Íàæìèòå [TAP TEMPO], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå PAGE/CURSOR [u].
3. Íàæìèòå [EXIT], ÷òîáû âå²íóòüñØ ê èñõîäíîìó ìåí .
Ñîçäàíèå êîìïîçèöèè
1. Íàæàâ [SONG], âêë ÷èòå ²åæèì êîìïîçèöèé.
2. Íàæìèòå [l].
3. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ïàòòå²í.
4. Íàæìèòå [ENTER] èëè [].
5. Ïîâòî²èòå øàãè 3–4 äëØ çàâå²øåíèØ êîìïîçèöèè.
6. Çàêîí÷èâ ââîä ïîñëåäíåãî ïàòòå²íà, íàæìèòå [g] ÷òîáû çàâå²øèòü çàïèñü.
Àóäè²îâàíèå ïàòòå²íà
Ïå²åìåùåíèå ïàòòå²íà â ï²åäåëàõ êîìïîçèöèè
ϲèíöèï âîñï²îèçâåäåíèØ êîìïîçèöèé
Ñîõ²àíåíèå êîìïîçèöèè
1. Íàæìèòå [WRITE].
2. Íàæìèòå [ENTER].
Ãåäàêòè²îâàíèå êîìïîçèöèè
Ïå²åèìåíîâàíèå êîìïîçèöèè
1. Íàæàâ [SONG], âêë ÷èòå ²åæèì êîìïîçèöèé.
2. Âûáå²èòå êîìïîçèöè .
3. Íàæìèòå [PARAM], ÷òîáû çàæåãñØ èíäèêàòî².
4. Íàæìèòå [WRITE] äëØ ñîõ²àíåíèØ êîìïîçèöèè.
Êîëüöåâîé ²åæèì âîñï²îèçâåäåíèØ
1. Íàæàâ [SONG], âêë ÷èòå ²åæèì êîìïîçèöèé.
2. Âûáå²èòå êîìïîçèöè .
3. Íàæìèòå [PARAM], ÷òîáû ïîëó÷èòü äîñòóï ê ïà²àìåò²àì ñîíãà.
4. Íàæìèòå PAGE/CURSOR [u].
5. Íàæìèòå [WRITE], ÷òîáû ñîõ²àíèòü êîìïîçèöè .
Ïîëåçíûå ôóíêöèè ²åäàêòè²î- âàíèØ ñîíãà (Song Utility)
Óäàëåíèå ëèøíåãî ñòåïà (SONG STEP DELETE)
1. Íàæìèòå [SONG], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:SONG STEP DELETE.”
4. Íàæìèòå [ENTER].
5. Âûáå²èòå ñòåïû, ïîäëåæàùèå óäàëåíè .
6. Çàâå²øèâ ²åäàêòè²îâàíèå, íàæìèòå [ENTER] äëØ ïîäòâå²æäåíèØ çíà÷åíèé.
Âñòàâêà ñòåïà (SONG STEP INSERT)
1. Íàæìèòå [SONG], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [UTILITY].
3. ÈñïîüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “2:SONG STEP INSERT.”
4. Íàæìèòå [ENTER].
5. Âûáå²èòå ïîçèöè äëØ âñòàâêè ñòåïà.
6. ÍàæèìàØ PAGE/CURSOR [u], ïå²åìåùàéòåñü ïî ñò²àíèöàì, à äëØ âûáî²à ïàòòå²íà èñïîëüçóéòå VALUE [...
7. Çàâå²øèâ ²åäàêòè²îâàíèå êàæäîãî ïà²àìåò²à, íàæìèòå [ENTER] äëØ ïîäòâå²æäåíèØ çíà÷åíèé.
Êîïè²îâàíèå ñîíãà (SONG COPY)
1. Íàæàâ [SONG], âêë ÷èòå ²åæèì êîìïîçèöèé.
2. Íàæìèòå [UTILITY].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “3:SONG COPY.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå ñîíã - èñòî÷íèê êîïèè.
6. Íàæìèòå PAGE/CURSOR [u].
7. Íàæìèòå PAGE/CURSOR [u].
8. Íàæìèòå PAGE/CURSOR [u].
9. Íàæìèòå PAGE/CURSOR [u].
10. Çàâå²øèâ ²åäàêòè²îâàíèå êàæäîãî ïà²àìåò²à, íàæìèòå [ENTER] äëØ ïîäòâå²æäåíèØ çíà÷åíèé.
ÈíèöèàëèçàöèØ ïà²àìåò²îâ ñîíãà (SONG INIT)
1. Íàæìèòå [SONG], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [UTILITY].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “4:SONG INIT.”
4. Íàæìèòå [ENTER].
5. Íàæìèòå [ENTER] åùå ²àç, ÷òîáû âûïîëíèòü îïå²àöè .
Óäàëåíèå ñîõ²àíåííîé êîìïîçèöèè (SONG REMOVE)
1. Íàæìèòå [SONG], ÷òîáû âêë ÷èëñØ èíäèêàòî².
2. Íàæìèòå [UTILITY].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “5:SONG REMOVE.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå êîìïîçèöè .
6. Íàæìèòå [ENTER] åùå ²àç, ÷òîáû çàâå²øèòü îïå²àöè .
Âîññòàíîâëåíèå çíà÷åíèé ïî óìîë÷àíè (FACTORY RESET)
r11 FloppyDisk.pdf
Âîñï²îèçâåäåíèå ñòàíäà²òíîãî MIDI-ôàéëà.
Îïå²àöèè ñ äèñêîì (Disk Utility)
Òèïû äèñêîâ
Çàã²óçêà ôàéëà (Load)
Ïå²åñîõ²àíåíèå âñåõ äàííûõ ïîëüçî- âàòåëüñêîé ïàìØòè
1. Âñòàâüòå ãèáêèé äèñê â äèñêîâîä.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “1:LOAD.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “Type:ALL.”
6. Íàæàâ PAGE/CURSOR [u], ïå²åéäèòå ê ñëåäó ùåé ñò²àíèöå.
7. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå ôàéë (.RSU file) äëØ çàã²óçêè.
8. Íàæìèòå [ENTER].
Çàã²óçêà ïàò÷åé ïîëüçîâàòåëØ
1. Óñòàíîâèòå ãèáêèé äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:LOAD.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå “Type:PATCH.”
6. Íàæìèòå PAGE/CURSOR [u], ÷òîáû ïå²åéòè ê ñëåäó -ùåé ñò²àíèöå.
7. Íàæìèòå PAGE/CURSOR [u], ÷òîáû ïå²åéòè ê ñëåäó -ùåé ñò²àíèöå.
8. Íàæìèòå PAGE/CURSOR [u], ÷òîáû ïå²åìåñòèòü êó²-ñî².
9. Íàæàâ PAGE/CURSOR [u], ïå²åéäèòå ê ñëåäó ùåé ñò²àíèöå.
10. Íàæìèòå [ENTER].
Çàã²óçêà SMF-äàííûõ
1. Óñòàíîâèòå ãèáêèé äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. ÍàæèìàØ PAGE/CURSOR [t]/[u], âûáå²èòå “1:LOAD.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå “Type:SMF.”
6. Íàæìèòå PAGE/CURSOR [u], ÷òîáû ïå²åéòè ê ñëåäó ùåé ñò²àíèöå.
7. Íàæìèòå [ENTER].
Ñîõ²àíåíèå äàííûõíà äèñêå (Save)
Ñîõ²àíåíèå âñåãî ñîäå²æèìîãî ïîëüçîâàòåëüñêîé ïàìØòè
1. Óñòàíîâèòå äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “2:SAVE.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå “Type:ALL.”
6. Íàæàâ PAGE/CURSOR [u], ïå²åéäèòå ê ñëåäó ùåé ñò²àíèöå.
7. ϲèñâîéòå íàçâàíèå ôàéëó.
8. Íàæìèòå [ENTER].
Ñîõ²àíåíèå òåêóùåãî ïàòòå²íà â âèäå SM- ôàéëà
1. Óñòàíîâèòå ãèáêèé äèñê â äèñêîâîä.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “2:SAVE.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+] âûáå²èòå “Type:SMF.”
6. Íàæìèòå PAGE/CURSOR [u] äëØ ïå²åõîäà ê ñëåäó ùåé ñò²àíèöå.
7. ϲèñâîéòå íàçâàíèå ôàéëó.
8. Íàæìèòå [ENTER].
Ïîäãîòîâêà äèñêà ê ²àáîòå (Format)
1. Óñòàíîâèòå ãèáêèé äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “3:FORMAT.”
4. Íàæìèòå [ENTER].
5. ϲèñâîéòå زëûê.
6. Íàæìèòå [ENTER].
Ñîçäàíèå äóáëè²ó ùåãî äèñêà (Backup)
1. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “4:BACKUP.”
3. Íàæìèòå [ENTER].
4. Íàæìèòå [ENTER] åùå ²àç.
5. Íàæìèòå [ENTER] äëØ çàâå²øåíèØ çàäà÷è.
6. Ïîñëå çàâå²øåíèØ ñ÷èòûâàíèØ äàííûõ íà äèñïëåå îòîá²àçèòñØ ñîîáùåíèå “Set Destination Disk”. Óñ...
7. Íàæìèòå [ENTER].
8. Ïîñëå çàâå²øåíèØ êîïè²îâàíèØ äàííûõ íà äèñïëåå îòîá²àçèòñØ ñîîáùåíèå “Set Source Disk”. Óñòàíî...
ÌîäèôèêàöèØ íàçâàíèØ äèñêà (Change Volume Label)
1. Óñòàíîâèòå äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u] âûáå²èòå “5:VOLUME LABEL.”
4. Íàæìèòå [ENTER].
5. ϲèñâîéòå زëûê.
6. Íàæìèòå [ENTER].
Óäàëåíèå ëèøíèõ ôàéëîâ (Delete File)
1. Óñòàíîâèòå äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “6:DELETE.”
4. Íàæìèòå [ENTER].
5. ÈñïîëüçóØ VALUE [-]/[+], âûáå²èòå êîìïîçèöè , êîòî²ó ò²åáóåòñØ ñòå²åòü.
6. Íàæìèòå [ENTER].
Ïå²åèìåíîâàíèå ôàéëà (Rename)
1. Óñòàíîâèòå äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u], âûáå²èòå “7:RENAME.”
4. Íàæìèòå [ENTER].
5. Ñ ïîìîùü VALUE [-]/[+], âûáå²èòå êîìïîçèöè , íàçâàíèå êîòî²îé ò²åáóåòñØ èçìåíèòü.
6. Íàæìèòå [ENTER].
7. ϲèñâîéòå íàçâàíèå ôàéëó.
8. Íàæìèòå [ENTER].
Èíôî²ìàöèØ î äèñêå (Disk Information)
1. Óñòàíîâèòå äèñê â äèñêîâîäå.
2. Óäå²æèâàØ [SHIFT], íàæìèòå [WRITE].
3. Ñ ïîìîùü PAGE/CURSOR [t]/[u], âûáå²èòå “8:DISK INFO.”
4. Íàæìèòå [ENTER].
r12 SystemFunc.pdf
Óñòàíîâêà ñèñòåìíûõ ïà²àìåò²îâ
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. Âûáå²èòå ïà²àìåò² äëØ ²åäàêòè²îâàíèØ.
3. ÈñïîëüçóØ VALUE [-]/[+], ìîäèôèöè²óéòå çíà÷åíèØ.
4. Ïîâòî²èòå øàãè 2-3 äëØ óñòàíîâêè îñòàëüíûõ ôóêöèé.
5. °òîáû ñîõ²àíèòü èçìåíåíèØ íàæìèòå [WRITE].
6. Íàæìèòå [ENTER].
Âûáî² ñèñòåìíûõ ïà²àìåò²îâ
Ôóíêöèè ñèñòåìíûõ ïà²àìåò²îâ
Îáùèå ñèñòåìíûå ïà²àìåò²û (GENERAL)
LCD Contrast
Master Tune
Master Key Sft
Master Level
MFX Remain (Ïå²åêë ÷åíèå ïà²àìåò²îâ ìóëüòèÆôôåêòîâ)
Hold Pedal
Local Control (Ëîêàëüíûé êîíò²îëü)
Clock Source (Èñòî÷íèê ñèíõ²îíèçàöèè)
Sync Output (Âûõîä ñîîáùåíèé ñèíõ²îíèçàöèè)
Ïà²àìåò²û ìåò²îíîìà (METRONOME)
Mode (Ãåæèì ìåò²îíîìà)
Level (Ó²îâåíü ìåò²îíîìà)
Sound (Çâóê ìåò²îíîìà)
Ïà²àìåò²û êîíò²îëå²îâ (CONTROLLER)
Mod (Ôóíêöèè äæîéñòèêà ìîäóëØöèè)
Pedal (Íàçíà÷åíèå ôóíêöèè ïåäàëè)
C1 (ÔóíêöèØ ²ó÷êè Ñ1)
C2 (ÔóíêöèØ ²ó÷êè Ñ2)
C3 (ÔóíêöèØ ²ó÷êè Ñ3)
Ïà²àìåò²û MIDI è USB (MIDI&USB)
Patch Rx Ch (Êàíàë ï²èåìà)
Patch Tx Ch (Êàíàë ïå²åäà÷è)
Ptn/Perf Ctrl Ch (Êàíàë óï²àâëåíèØ ïàòòå²íîì)
Rx Prog Chg (ϲèåì èçìåíåíèé ï²îã²àììû)
Rx Bank Sel (ϲèåì êîìàíä âûáî²à áàíêà)
Rx Sys Exc (ϲèåì èñõîäØùèõ ñèñòåìíûõ ñîîáùåíèé)
Tx Prog Chg (Ïå²åäà÷à èçìåíåíèé ï²îã²àììû)
Tx Bank Sel (Ïå²åäà÷à ñîîáùåíèØ âûáî²à áàíêà)
Tx Edit Data (Ïå²åäà÷à äàííûõ ²åäàêòè²îâàíèØ)
Tx Active Sens (Ïå²åäà÷à äàííûõ àêòèâíîé ÷óâñòâèòåíîñòè)
Device ID (Èäåíòèôèêàöèîííûé íîìå² óñò²îéñòâà)
Soft Thru (ϲîïóñê MIDI-ñîîáùåíèé)
MIDI-USB Thru
Descriptor (Òèï ä²àéâå²à)
ϲîâå²êà ñîñòîØíèØ ïàìØòè (MEMORY INFO)
Seq Block (Áëîê äàííûõ ñåêâåíñå²à)
SysEx Blk (Áëîê èñõîäØùèõ ñèñòåìíûõ äàííûõ)
User Block (Áëîê äàííûõ ïîëüçîâàòåëØ)
Óñòàíîâêà ïà²àìåò²îâ òîíàëüíîé øêàëû ïàò÷à (PATCH SCALE)
Type (Òèï øêàëû)
Tune C–Tune B (Øêàëà ïàò÷à Ñ-Â)
r13 OtherDevices.pdf
°òî òàêîå MIDI?
MIDI-êîííåêòî²û
MIDI-êàíàëû è ìóëüòèòåìá²àëüíûå çâóêîâûå ìîäóëè
MIDI-ñîîáùåíèØ RS-70
Êàíàëüíûå ñîîáùåíèØ
Note On (Âêë ÷åíèå íîò)
Note Off (Âûêë ÷åíèå íîò)
Pitch Bend Change (Èçìåíåíèå ñãèáà òîíà)
Aftertouch (Ïîñëåêàñàíèå)
Program Change (Èçìåíåíèå ï²îã²àììû)
Control Change (Èçìåíåíèå êîíò²îëØ)
System messages (Ñèñòåìíûå ñîîáùåíèØ)
Exclusive messages (Åêñêë çèâíûå ñîîáùåíèØ)
Èñïîëüçîâàíèå âíåøíåãî çâóêîâîãî MIDI-ìîäóëØ
Ïîäêë ÷åíèå âíåøíèõ çâóêîâûõ MIDI- ìîäóëåé
1. ϲåæäå ÷åì âûïîëíØòü ñîåäèíåíèØ îòêë ÷èòå âñå óñò²îéñòâà îò ñåòåâîãî ïèòàíèØ.
2. Îçíàêîìèâøèñü ñ ï²àâèëàìè “Ïîäêë ÷åíèØ âíåøíèõ óñò²îéñòâ“ (ñò². 17), ïîäêë ÷èòå çâóêîâîå óñò²î...
3. Ñîåäèíèòå âíåøíåå çâóêîâîå MIDI-óñò²îéñòâî ñ MIDI- êàáåëåì, êàê ïîêàçàíî äàëåå.
4. Âêë ÷èòå êàæäîå óñò²îéñòâî, ñîáë äàØ ï²àâèëà “Âêë ÷åíèØ ïèòàíèØ“ (ñò². 18).
Óñòàíîâêà êàíàëà ïå²åäà÷è
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. Ñ ïîìîùü PAGE/CURSOR [t]/[u], âûáå²èòå “Patch Tx Ch.”
3. ÈñïîëüçóØ VALUE [-]/[+], ìîäèôèöè²óéòå çíà÷åíèå.
4. Íàæìèòå [WRITE] äëØ ñîõ²àíåíèØ çíà÷åíèé.
Óï²àâëåíèå çâóêîãåíå²àòî²îì RS- 70 ÷å²åç âíåøíåå MIDI-óñò²îéñòâî
Ïîäêë ÷åíèå âíåøíåãî MIDI- óñò²îéñòâà
1. ϲåäæå ÷åì âûïîëíØòü êîîìóòàöè îòêë ÷èòå ïèòàíèå íà âñåõ óñò²îéñòâàõ.
2. Îçíàêîìüòåñü ñ ï²àâèëàìè “Ïîäêë ÷åíèØ âíåøíèõ óñò²îéñòâ“ (ñò². 117), ïîäêë ÷èòå âíåøíå óñò²îéñ...
3. Ñîåäèíèòå âíåøíåå MIDI-óñò²îéñòâî ñ MIDI-êàáåëåì, êàê ïîêàçàíî íà ñõåìå.
4. Âêë ÷èòå êàæäîå óñò²îéñòâî, ñîáë äàØ ï²àâèëà “Âêë ÷åíèØ ïèòàíèØ“ (ñò². 18).
Óñòàíîâêà êàíàëà ï²èåìà ïàò÷à
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. Ñ ïîìîùü PAGE/CURSOR [t]/[u], âûáå²èòå “Patch Rx Ch” (êàíàë ï²èåìà äàííûõ ïàò÷à).
3. ÈñïîëüçóØ VALUE [-]/[+], ìîäèôèöè²óéòå çíà÷åíèå.
Âêë ÷åíèå ï²èåìà èçìåíåíèé ï²îã²àììû
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “Rx Prog Chg” (ϲèåì èçìåíåíèé ï²îã²àììû) è “Rx Bank S...
3. Ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå äëØ îáîèõ ïà²àìåò²îâ çíà÷åíèå “ON.”
4. Íàæìèòå [WRITE] äëØ ñîõ²àíåíèØ çíà÷åíèé.
Âûáî² çâóêîâ RS-70 ñ ïìîùü âíåøíåãî MIDI-óñò²îéñòâà
1. Ïå²åäàéòå çíà÷åíèå ñîîáùåíèØ âûáî²à áàíêà MSB (êîíò²îëå² ¶0) (BnH 00H mmH) íà RS-70.
2. Ïå²åäàéòå çíà÷åíèå ñîîáùåíèØ âûáî²à áàíêà LSB (êîíò²îëëå² ¶32) (BnH 20H mmH) íà RS-70.
3. Ïå²åäàéòå ñîî ùåíèå èçìåíåíèØ ï²îã²àììû (CnH ppH) íà RS-70.
Òàáëèöà ñîîòâåòñòâèØ íîìå²îâ áàíêà è ï²îã²àììû
Ïàòòå²í
Ïàò÷
Ãèòì-íàáî²
Èçìåíåíèå òîíîâ RS-70 ñ ïîìîùü âíåøíåãî MIDI-êîíò²îëëå²à
Çàïèñü íà âíåøíèé ñåêâåíñå²
Ïîäêë ÷åíèå âíåøíåãî ñåêâåíñå²à
1. ϲåæäå ÷åì âûïîëíèòü ñîåäèíåíèØ, îòêë ÷èòå ïèòàíèå íà âñåõ óñò²îéñòâàõ.
2. Îçíàêîìüòåñü ñ ï²àâèëàìè “Ïîäêë ÷åíèØ âíåøíèõ óñò²îéñòâ“ (ñò². 17).
3. Ñîåäèíèòå ñåêâåíñå² ñ MIDI-êàáåëåì, êàê ïîêàçàíî íà ²èñóíêå.
4. Âêë ÷èòå êàæäîå óñò²îéñòâî, ñîáë äàØ ï²àâèëà “Âêë -÷åíèØ ïèòàíèØ“ (ñò². 18).
Ïîäãîòîâêà ê çàïèñè
Âûêë ÷åíèå ëîêàëüíîãî êîíò²îëØ RS-70
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “Local Control.”
3. Ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå “OFF.”
4. Íàæìèòå [WRITE] äëØ ñîõ²àíåíèØ çíà÷åíèé.
Âêë ÷åíèå ôóíêöèè “Thru“ íà âíåøíåì ñåêâåíñå²å
Óñòàíîâêà ïà²àìåò²îâ ïàòòå²íà
Çàïèñü
Çàïèñü ïà²àìåò²îâ ïàòòå²íà â íà÷àëå êîìïîçèöèè
1.  ²åæèìå ïàò÷åé èëè ïàòòå²íîâ íàæìèòå [UTILITY], ÷òî-áû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “XFER to MIDI.”
3. Íàæìèòå [ENTER].
4. Âêë ÷èòå ²åæèì çàïèñè íà âíåøíåì ñåêâåíñå²å “XFER to MIDI.”
5. Íàæìèòå [ENTER] äëØ ïå²åäà÷è ïà²àìåò²îâ.
6. Ïîñëå çàâå²øåíèØ ïå²åäà÷è íà äèñïëåå îòîá²àæàåòñØ ñîîáùåíèå “COMPLETED.”
7. Îñòàíîâèòå çàïèñü íà âíåøíåì ñåêâåíñå²å.
Çàïèñü èíäèâèäóàëüíûõ ïà²òèé
ϲîñëóøèâàíèå çàïèñè
Âêë ÷èòå ï²èåì Æêñêë çèâíûõ ñèñòåìíûõ ñîîáùåíèé “Rx Sys Exc” (ñòp. 127)
Èäåíòèôèêàöèîííûé íîìå² óñò²îéñòâà (ñòp. 127)
Íà÷íèòå âîñï²îèçâåäåíèå â íà÷àëå êîìïîçèöèè
Èñïîëíåíèå ïîä àêêîìïàíèìåíò çàïèñè
Ò²àñïîíè²îâàíèå âîñï²îèçâåäåíèå (Master Key Shift)
1. Íàæìèòå [SYSTEM], ÷òîáû çàæåãñØ èíäèêàòî².
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå “Master Key Sft.”
3. Ñ ïîìîùü VALUE [-]/[+] óñòàíîâèòå çíà÷åíèå.
4. Íàæìèòå [WRITE] äëØ ñîõ²àíåíèØ çíà÷åíèé.
Èñïîëüçîâàíèå RS-70 â êà÷åñò-âå çâóêîâîãî ìîäóëØ, ñîâìåñòè-ìîãî ñ ñèñòåìàìè General MIDI/General ...
Âîñï²îèçâåäåíèå äàííûõ
Âêë ÷èòå ï²èåì ñèñòåìíûõ Æêñêë çèâíûõ ñîîáùåíèé (ñòp. 127).
Âêë ÷èòå âîñï²îèçâåäåíèå â íà÷àëå êîìïîçèöèè
Ñèíõ²îíèçàöèØ èçîá²àæåíèØ ñ ìóçûêàëüíûì èñïîëíåíèåì (V-LINK)
°òî òàêîå V-LINK?
ϲèìå²û ïîäêë ÷åíèØ
èñïîëüçîâàíèå V-LINK
1. Íàæìèòå [V-LINK], ÷òîáû çàæåãñØ èíäèêàòî².
2. Íàæìèòå [EXIT].
3. ÄëØ âûêë ÷åíèØ ôóíêöèè V-LINK íàæìèòå [V-LINK] òàêèì îá²àçîì, ÷òîáû èíäèêàòî² ïîãàñ.
Âèäåî ôóíêöèè RS-70
Óñòàíîâêà ïà²àìåò²îâ V-LINK (V-LINK Setup)
1. ϲè èíäèêàöèè V-LINK íàæìèòå [PARAM].
2. ÈñïîëüçóØ PAGE/CURSOR [t]/[u], âûáå²èòå ïà²àìåò² V- LINK.
3. ÈñïîëüçóØ VALUE [-]/[+], ìîäèôèöè²óéòå çíà÷åíèå.
4. Íàæìèòå [WRITE] äëØ ñîõ²àíèØ çíà÷åíèé.
5. Íàæìèòå [ENTER].
Óñòàíîâî÷íûå ïà²àìåò²û V-LINK
Local Sw (Ëîêàëüíûé âûêë ÷àòåëü)
Clip Tx Ch (Êàíàë ïå²åäà÷è ñèãíàëîâ ïå²åêë ÷åíèØ êëèïîâ)
Clip1 Note
Filter (Ôèëüò²)
Speed Range (Äèàïàçîí ñêî²îñòè)
Ctrl Tx Ch (Êàíàë ïå²åäà÷è ñèãíàëîâ êîíò²îëëå²îâ)
C1–C3
CUTOFF (°àñòîòà îòñå÷åíèØ)
RESO (Ãåçîíàíñ)
MOD (ÌîäóëØöèØ)
Ñá²îñ ïà²àìåò²îâ èçîá²àæåíèØ (All Reset)
1. Óäå²æèâàØ [SHIFT], íàæìèòå [V-LINK].
r14 Computer.pdf
Óñòàíîâêà è íàñò²îéêà ä²àéâå²à (Windows)
ÄëØ ïîëüçîâàòåëåé Windows XP
1. RS-70 îòñîåäèíåí. Çàïóñòèòå Windows.
2. Îòê²îéòå äèàëîãîâîå îêíî Ñâîéñòâà ñèñòåìû (System Properties).
3. Ùåëêíèòå íà çàêëàäêå “Îáî²óäîâà-íèå“ (Hardware), çàòåì íà [Ïîäïèñû-âàíèå äâàéâå²à] (Driver Sig...
4. Óáåäèòåñü, ÷òî äëØ çàï²îñà “Êàêèå äåéñòâèØ äîëæíà âûïîëíèòü ñèñòåìà Windows?“ (What action do ...
5. Íàæìèòå [OK], ÷òîáû çàê²ûòü äèàëàîãîâîå îêíî “Ñîéñòâà ñèñòåìû“.
6. Âûêë ÷èòå âñå ²àáîòà ùèå ï²îã²àììû (ï²èëîæåíèØ).
7. ϲèãîòîâüòå CD-ROM.
8. Íàæìèòå íà êíîïêó “Ïóñê“ (Start).
9.  ïîØâèâøåìñØ äèàëîãîâîì îêíå “Çà-ïóñê ï²îã²àììû“ (Run...) ââåäèòå â ïîëå “Îòê²ûòü“ (Open) ñëå...
10. ÏîØâèòñØ äèàëîãîâîå îêíî “Èíôî²ìà-öèØ îá óñòàíîâêå“ (SetupInf). Òåïå²ü âñå ãîòîâî äëØ óñòàíîâ...
11. Ïîäêë ÷èòå RS-70.
12. Âêë ÷èòå ïèòàíèå íà RS-70.
13. Îòê²îåòñØ îêíî “Ìàñòå² óñòàíîâêè îáî²óäîâàíèØ“ (Found New Hardware wizard).
14. Íà Æê²àíå îòîá²àçèòñØ ”Âûáå²èòå âà- ²èàíòû ïîèñêà è óñòàíîâêè” (Please choose your search and...
15. Óáåäèòåñü, ÷òî â ïîëå “Ìîäåëü“ (Model) óêàçàíî “Roland RS-70” è íàæ-ìèòå [Äàëåå]. Íà÷èíàåòñØ ...
1. Íàæìèòå [ϲîäîëæèòü].
2. ϲîäîëæèòå óñòàíîâêó.
1. Íàæìèòå [OK].
2. ϲè ïîØâëåíèè îêíà “Ìàñòå² óñòà-íîâêè îáî²óäîâàíèØ“ (Found New Hardware Wizard) íàæìèòå [Ãîòîâ...
3. Ïîâòî²èòå óñòàíîâêó ä²àéâå²à ñ Æòàïà 1 (ñòp. 140).
16. Îòê²îåòñØ äèàëîãîâîå îêíî “Âñòàâüòå äèñê“ (Insert Disk). Íàæìèòå [OK].
17. Îòê²îåòñØ äèàëîãîâîå îêíî “Íåîáõî- äèìûå ôàéëû“ (Files Needed).  ïîëå
18. Îòê²îåòñØ îêíî “Ìàñòå² óñòàíîâêè îáî²óäîâàíèØ“ (Found New Hardware wizard). Óáåäèòåñü, ÷òî íà...
19. Ïîñëå çàâå²øåíèØ óñòàíîâêè ïîØâèòñØ äèàëîãîâîå îêíî “Èçìåíåíèå íàñò²îéêè ñèñòåìû“ (System Set...
1. Åñëè íà Âàøåì êîìïü òå²å óñòàíîâëåíà Windows XP Professional, âîéäèòå â ñèñòåìó, èñïîëüçóØ ó÷å...
2. Ùåëêíèòå íà êíîïêó “Ïóñê“ è â ïîØâèâøåìñØ ìåí âûáå²èòå “Ïàíåëü óï²àâëåíèØ“.
3.  “Âûá²àòü êàòåãî²è “ ùåëêíèòå ìûøü íà “Ï²îèçâîäèòåëüíîñòü è îáñëóæèâàíèå“.
4.  “èëè âûáå²èòå çíà÷îê ïàíåëè óï²àâëåíèØ“ ùåëêíèòå íà çíà÷êå “Ñèñòåìà“. Îòê²îåòñØ äèàëîãîâîå î...
5. Ùåëêíèòå íà çàêëàäêå “Îáî²óäîâàíèå“, çàòåì âûáå²èòå [Ïîäïèñû-âàíèå ä²àéâå²à]. Îòê²îåòñØ äèàëîã...
6. Âîññòàíîâèòå èñõîäíó íàñò²îéêó “Êàêèå äåéñòâèØ äîëæíà âûïîëíèòü ñèñòåìà Windows?“ (“ϲåäóï²åæ...
7. Íàæìèòå [OK]. Çàê²îåòñØ äèàëîãîâîå îêíî “Ñâîéñòâà ñèñòåìû“.
ÄëØ ïîëüçîâàòåëåé Windows 2000
1. RS-70 îòêë ÷åí. Çàã²óçèòå Windows.
2. Âîéäèòå â ñèñòåìó êàê ïîëüçîâàòåëü ñ ï²àâàìè àäìèíèñò²àòî²à.
3. Ùåëêíèòå ìûøü íà êíîïêå Ïóñê.  ïîØâèâøåìñØ ìåí âûáå²èòå “Íàñò²îé-êà | Ïàíåëü óï²àâëåíèØ“ (S...
4. Ùåëêíèòå ìûøü íà çàêëàäêå “Îáî- ²óäîâàíèå“ (Hardware), çàòåì íàæ-ìèòå [Ïîäïèñûâàíèå ä²àéâå²îâ...
5. Óáåäèòåñü, ÷òî äëØ “ϲîâå²êè ïîäïèñè ôàéëà“ âûá²àíî “Ï²îïóñòèòü“ (Igno-re). Åñëè âûá²àíî “Ï²îï...
6. Íàæìèòå [OK], ÷òîáû çàê²ûòü äèàëîãî-âîå îêíî “Ñâîéñòâà ñèñòåìû“ (System Properties).
7. Çàê²îéòå âñå ²àáîòû ùèå ï²îã²àììû (ï²èëîæåíèØ), âêë ÷àØ àíòèâè²óñíîå ï²îã²àììíîå îáåñïå÷åíèå.
8. ϲèãîòîâüòå CD-ROM.
9. Ùåëêíèòå ìûøü íà êíîïêå “Ïóñê“ (Start).  ïîØâèâøåìñØ ìåí âûáå²èòå “Âûïîëíèòü...“ (Run...)
10.  ïîØâèâøåìñØ äèàëîãîâîì îêíå â ïîëå “Îòê²ûòü“ (Open) ââåäèòå ñëåäó ùèå äàííûå è íàæìèòå [OK].
11. Îòê²îåòñØ äèàëîãîâîå îêíî “Èíôî²-ìàöèØ îá óñòàíîâêå“ (SetupInf).
12. Ïîäêë ÷èòå RS-70.
13. Âêë ÷èòå ïèòàíèå íà RS-70 (ïîëîæåíèå ON).
1. Íàæìèòå [Yes].
2. ϲîäîëæèòå óñòàíîâêó.
1. Íàæìèòå [OK].
2. Êîãäà ïîØâèòñØ îêíî “Ìàñòå² óñ- òàíîâêè îáî²óäîâàíèØ”, íàæ-ìèòå [Ãîòîâî] (Finish).
3. Ïîâòî²èòå óñòàíîâêó ä²àéâå²à, íà÷èíàØ ñ Æòàïà 1 (ñòp. 144).
14. Îòê²îåòñØ äèàëîãîâîå îêíî “Âñòàâüòå äèñê“ (Insert Disk).
15. Îòê²îåòñØ äèàëîãîâîå îêíî “Íåîá- õîäèìûå ôàéëû“ (Files Needed).
16. Ìîæåò îòê²ûòüñØ îêíî “Ìàñòå² óñòà- íîâêè îáî²óäîâàíèØ“ (Found New Hardware Wizard).
17. Ìîæåò ïîØâèòüñØ äèàëîãîâîå îêíî “Èçìåíåíèå íàñò²îéêè ñèñòåìû“ (System Settings Change). Íàæìè...
1. Ïîñëå ïå²åçàã²óçêè Windows âîéäèòå â ñèñòåìó êàê ïîëüçîâàòåëü ñ ï²àâàìè àäìèíèñò²àòî²à.
2. Íàæìèòå êíîïêó “Ïóñê“ (Start) è â ïîØâèâøåìñØ ìåí âûáå²èòå Íàñò²îéêà | Ïàíåëü óï²àâëåíèØ.
3. Íà ïàíåëè óï²àâëåíèØ äâàæäû ùåëêíèòå ìûøü íà çíà÷êå “Ñèñòåìà“ äëØ îòê²ûòèØ äèàëîãîâîãî îêíà “...
4. Ùåëêíèòå íà çàêëàäêå “Îáî²óäîâàíèå“, çàòåì íàæìèòå [Ïîäïèñûâàíèå ä²àéâå²à]. Îòê²îåòñØ äèàëîãîâ...
5. Âîññòàíîâèòå èñõîäíûå ïà²àìåò²û “ϲîâå²êè ïîäïèñè ôàéëà” (“ϲå- äóï²åæäàòü” (Warn) ëèáî “Áëîêè...
6. Íàæìèòå [OK]. Äèàëîãîâîå îêíî “Ñâîéñòâà ñèñòåìû” çàê²îåòñØ.
ÄëØ ïîëüçîâàòåëåé Windows Me/98
1. RS-70 îòêë ÷åí. Çàã²óçèòå Windows.
2. Çàê²îéòå âñå ²àáîòà ùèå ï²îã²àììû, âêë ÷àØ àíòèâè²óñíîå ï²îã²àììíîå îáåñïå÷åíèå. Ñâå²íèòå âñå ...
3. ϲèãîòîâüòå CD-ROM.
4. Îòê²îéòå äèàëîãîâîå îêíî “Çàïóñê ï²îã²àììû“ (Run...).
5.  ïîØâèâøåìñØ äèàëîãîâîì îêíå â ïîëå “Îòê²ûòü“ (Open) ââåäèòå ñëåäó ùèå äàííûå è íàæìèòå [OK].
6. Îòê²îåòñØ äèàëîãîâîå îêíî “Èíôî²-ìàöèØ îá óñòàíîâêå“ (SetupInf).
7. Ïîäêë ÷èòå RS-70.
8. Âêë ÷èòå ïèòàíèå RS-70 “ON”.
9. Åñëè èñïîëüçóåòñØ Windows 98, äîëæíî ïîØâèòñØ äèàëîãîâîå îêíî “Insert Disk”.
10. Îòê²îåòñØ äèàëîãîâîå îêíî “Îáíà²óæå-íî íîâîå óñò²îéñòâî“ (New Hardware Found).
11. Ïîñëå çàâå²øåíèØ óñòàíîâêè ä²àéâå²à çàê²îåòñØ äèàëîãîâîå îêíî “Îáíà²óæåíî íîâîå óñò²îéñòâî“.
Íàñò²îéêà è êîíò²îëü
Âûáî² âûõîäà MIDI-äàííûõ
1. Îòê²îéòå “Ïàíåëü óï²àâëåíèØ“.
2. Îòê²îéòå äèàëîãîâîå îêíî “Ñâîéñòâà: çâóêè è ìóëüòèìåäèà“ (èëè â Windows XP “Ñâîéñòâà: çâóêè è ...
3. Ùåëêíèòå íà çàêëàäêå “Àóäèî“.
4. ÄëØ âîñï²îèçâåäåíèØ MIDI-ìóçûêè, ùåëêíèòå ìûøü íà çíà÷êå , ²àñïî- ëîæåííîì ñï²àâà îò ïîëØ [ϲ...
5. Íàæìèòå [OK], ÷òîáû ï²îäîëæèòü íàñò²îéêó.
1. Îòê²îéòå “Ïàíåëü óï²àâëåíèØ”.
2. Îòê²îéòå äèàëîãîâîå îêíî “Ñâîéñòâà: Ìóëüòèìåäèà“ (Multimedia Properties).
3. Ùåëêíèòå íà çàêëàäêå “MIDI”.
4. Óñòàíîâèòå “Âûõîä MIDI” (MIDI Output).
5. Íàæìèòå [OK] ÷òîáû çàâå²øèòü íàñò²îéêó.
Óäàëåíèå ä²àéâå²à USB MIDI
Óñòàíîâêà è íàñò²îéêà ä²àéâå²à (Macintosh)
Óñòàíîâêà ä²àéâå²à RS-70
1. Çàê²îéòå âñå ²àáîòà ùèå ï²îã²àììû (ï²èëîæåíèØ), âêë ÷àØ àíòèâè²óñíûå.
2. ϲèãîòîâüòå CD-ROM.
3. Äâàæäû ùåëêíèòå ìûøü íà çíà÷êå RS-70 Driver-E Installer (íàõîäèòñØ â ïàïêå RS Driver E CD-ROM...
4. Íàæìèòå [Óñòàíîâèòü] (Install).
5.  ñëó÷àå ïîØâëåíèØ ñëåäó ùåãî ñîîáùåíèØ íàæìèòå [ϲîäîëæèòü] (Continue).
6.  äèàëîãîâîì îêíå ïîØâèòñØ ñîîáùåíèå “ÈíñòàëëØöèØ çàâå²øåíà“ (Installation was successful).
Ïà²àìåò²û OMS
1. Ïîäêë ÷èòå RS-70.
2. Âêë ÷èòå ïèòàíèå íà RS-70 (ON).
3. Äâàæäû ùåëêíèòå ìûøü íà çíà÷êå “OMS Setup”.
4. Åñëè îòê²ûâàåòñØ äèàëîãîâîå îêíî “Apple Talk” íàæìèòå [Turn It Off].
5. ÏîØâèòñØ äèàëîãîâîå îêíî “Create a New Studio Setup” (Ñîçäàòü íîâó êîíôèãó²àöè ñòóäèè).
6. Îòê²ûâàåòñØ äèàëîãîâîå îêíî “OMS Driver Search” (Ïîèñê ä²àéâå²à OMS).
7. Ïîñëå çàâå²øåíèØ ïîèñêà óáåäèòåñü, ÷òî “Roland RS-70” ôèãó²è²óåò â ñïèñêå äèàëîãîâîãî îêíà “OM...
8. Óáåäèâøèñü, ÷òî RS-70 ï²èñóòñòâóåò â îêíå “OMS MIDI Device Setup” (Êîí- ôèãó²àöèØ MIDI-óñò²îéñ...
9. Èçìåíèòå íàçâàíèå çíà÷êà êëàâèàòó²û íà “Port 1” èëè ë áîå ä²óãîå èìØ, ê²îìå “Roland RS-70.”
10. Îòê²îåòñØ äèàëîãîâîå îêíî “Save” (Ñîõ²àíèòü). Ââåäèòå íàçâàíèå ôàéëà è íàæìèòå [Save] (Ñîõ²àí...
11. Âûáå²èòå è îòìåòüòå [Test Studio] â ìåí [Studio], ÷òîáû ï²îâå²èòü, êàê âîñï²îèçâîäèòñØ çâóê.
12.  îêíå “My Studio Setup” ùåëêíèòå íà çíà÷êå êëà- âèàòó²û. ϲè ï²èáëèæåíèè ê çíà÷êó êëàâèàòó²û...
13. Çàâå²øèâ ï²îâå²êó, âûéäèòå èç êîíôèãó²àöèè OMS.
Ïîäêë ÷åíèå MIDI êàáåëØ
Óñòàíîâêà ï²èëàãàåìîãî ²åäàêòî²ñêîãî îáåñïå÷åíèØ
s02 Troubleshoot.pdf
Îòñóòñòâèå ïèòàíèØ
Âîçìîæíî, àäàïòå² íå/íåï²àâèëüíî âêë ÷åí â ñåòåâîé ²àçúåì.
Íåò çâóêà
ϲîâå²üòå ï²àâèëüíîñòü ïîäêë ÷åíèØ âíåøíåãî óñèëèòåëØ è àêóñòè÷åñêîé ñèñòåìû (ñòp. 18)
Âîçìîæíî, óñòàíîâëåí ñëèøêîì íèçêèé ó²îâåíü ã²îìêîñòè
ϲîâå²üòå ï²àâèëüíîñòü ñîåäèíåíèØ êîìïîíåíòîâ (ñòp. 17)
Åñëè Âû ²àáîòàåòå â ²åæèìå ïàòòå²íîâ, ï²îâå²üòå ñòàòóñ âêë ÷åíèØ ïà²òèè (ñòp. 67)
ÄëØ ²åæèìà ïàòòå²íîâ ï²îâå²üòå ó²îâåíü ã²îìêîñòè ïà²òèè (ñòp. 80)
Âîçìîæíî, âêë ÷åí ²åæèì äåìîíñò²àöèè êîìïîçè-öèé.
Ìîæåò áûòü, [SOLO SYNTH] íàõîäèòñØ â ïîëîæåíèè “ON”?
Âîçìîæíî, íåêî²²åêòíî çàäàíû ïà²àìåò²û Æôôåêòîâ
Âîçìîæíî, ïèò÷ ïàò÷à ï²åâûñèë äèàïàçîí íî²ìàëüíîãî çâó÷àíèØ
Åñëè çâóê íå èçâëåêàåòñØ ï²è íàæàòèè íà êëàâèøè, âîçìîæíî îòêë ÷åí ëîêàëüíûé êîíò²îëü
Âîçìîæíî, íå ñîâïàäà ò êàíàëû ï²èåìà è ïå²åäà÷è
Âîçìîæíî, äâèæåíèåì ïåäàëè èëè MIDI-ñîîáùåíèØ-ìè, ïå²åäà ùèìèñØ ñ âíåøíåãî MIDI-óñò²îéñòâà, çàäàí...
Âîçìîæíî, âûêë ÷åí ï²èåì MIDI-äàííûõ äëØ ñîîò- âåòñòâó ùåé ïà²òèè
Âîçìîæíî, âûá²àíû íåï²àâèëüíûå çíà÷åíèØ äëØ ñîîáùåíèé âûáî²à áàíêà è èçìåíåíèØ ï²îã²àììû, ïå²åäà ...
ϲîâå²üòå ï²àâèëüíîñòü âûáî²à èñòî÷íèêà ñèíõ²î- íèçàöèè
Âûêë ÷åí ïèò÷
Âîçìîæíî, íåêî²²åêòíî âêë ÷åíà ò²àíñïîçèöèØ (ñòp. 35)
ϲîâå²üòå ï²àâèëüíîñòü ïà²àìåò²îâ ñäâèãà îêòàâû (ñòp. 34)
ϲîâå²üòå, ï²àâèëüíîñòü ïà²àìåò²îâ òîíàëüíîé øêàëû (ñòp. 128, ñòp. 81)
Âîçìîæíî, íåï²àâèëíî çàäàí ñäâèã òîíàëüíîñòè èíñò²óìåíòà (Master Key Shift, còp. 125)
ϲîâå²üòå ï²àâèëüíîñòü íàñò²îéêè îáùåé òîíàëüíîñòè èíñò²óìåíòà (Master Tune, cò². 125)
Îòñóòñòâó ò çâóêè
Âîçìîæíî, âêë ÷åí Solo âûêë ÷àòåëü
Âîçìîæíî, Âû ïûòàåòåñü âîñï²îèçâåñòè áîëåå 64 çâóêîâ îäíîâ²åìåííî?
Åôôåêòû íå ôóíêöèîíè²ó ò
ϲîâå²üòå âêë ÷åíèå ìàñòå²-Æôôåêòîâ (ñòp. 91)
Âîçìîæíî, íåêî²²åêòíî çàäàíû ïà²àìåò²û õî²óñà
ϲîâå²üòå ïà²àìåò²û ²åâå²áå²àöèè (ñò². 57, 82, 113)
Íåêî²²åêòíî çàäàíû ïà²àìåò²û õî²óñà è ²åâå²áå-²àöèè äëØ ²èòì-íàáî²à
Âîçìîæíî äëØ ìóëüòèÆôôåêòîâ óñòàíîâëåíî çíà÷åíèå “BYPASS?”
ϲîâå²üòå ï²àâèëüíîñòü âûáî²à èñòî÷íèêà ìóëüòèÆôôåêòîâ (ñòp. 79)
ϲîâå²üòå ï²àâèëüíîñòü âûáî²à èñòî÷íèêà ñèíõ²îíèçàöèè
Åôôåêòû íå ïîääà òñØ êîíò²îë
Íåêà÷åñòâåííîå âîñï²îèçâå-äåíèå íîò
Íåàäåêâàòíîå âîñï²îèçâåäåíèå äàííûõ êîìïîçèöèè
Ñ êàêîãî ìîìåíòà íà÷àëîñü âîñï²îèçâåäåíèå ñîíãà?
Âîçìîæî, ôî²ìàò êîìïîçèöèè íå îòâå÷àåò ²åãëàìåíòó General MIDI2 è General MIDI?
Íå âîñï²îèçâîäØòñØ à²ïåäæèî
Âîçìîæíî, íå ï²èíèìàåòñØ MIDI-èìïóëüñ ï²è âûáî-²å “MIDI“ â êà÷åñòâå èñòî÷íèêà ñèíõ²îíèçàöèè (ñò²....
Çâóê íå ï²åê²àùàåòñØ ï²è íàæàòèè ñëåäó ùåé êëàâèøè
ϲîâå²üòå ïîëزíîñòü ïåäàëè “Hold“ (ñòp. 125)
Íà²óøåíèå ï²èåìà MIDI- ñîîáùåíèé
Âîçìîæíî, íåêî²²åêòíî çàäàíû ïà²àìåò²û ï²èåìà ïàò÷à (ñòp. 127).
Íå âûïîëíåíî âêë ÷åíèå ï²èåìà MIDI-ñîîáùåíèé
ϲîâå²üòå èäåíòèôèêàöèîííûé íîìå² óñò²îéñòâà (ñò². 127)
Íåï²àâèëüíî çàäàí òåìï âîñï²îèçâåäåíèØ ñåêâåíñå²à
ÍåàäåêâàòíàØ ïå²åäà÷à MIDI- äàííûõ
ϲîâå²üòå ïà²àìåò²û êàíàëà ïå²åäà÷è ïàò÷à (ñò². 132)
Íå âûïîëíåíî âêë ÷åíèå ïå²åäà÷è MIDI-ñîîáùåíèé
Èñïîëüçîâàíèå ï²îã²àììíîãî îáåñïå÷åíèØ ñåêâåíñå²à, îïå-²àöèè ñ äæîéñòèêîì è ²ó÷êàìè óï²àâëåíèØ íå...
ϲîáëåìû, ñâØçàííûå ñ èñ- ïîëüçîâàíèåì ä²àéâå²à USB (Windows)
Íå óäàåòñØ ï²àâèëüíî óñòàíîâèòü ä²àéâå²
“Ïîèñê íîâîãî ìàñòå²à óñòàíîâêè îáî²óäîâàíèØ“ íå âûïîëíØåòñØ àâòîìàòè÷åñêè
“Ïîèñê íîâîãî ìàñòå²à óñòàíîâêè îáî²óäîâàíèØ“ ï²åê²àùàåòñØ äî çàâå²øåíèØ ï²îöåññà
Íå îòê²ûâàåòñØ äèàëîãîâîå îêíî “Âñòàâüòå äèñê”
Ïîñëå óñòàíîâêè ä²àéâå²à ïîØâëØåòñØ äèàëîãîâîå îêíî “Îáíà²óæåíî íåèçâåñòíîå óñò²îéñòâî“
Íå óäàåòñØ óñòàíîâèòü ä²àéâå², îòê²ûâàåòñØ äèàëîãî-âîå îêíî “Îáíà²óæåí íåèçâåñòíûé ä²àéâ岓
Íåï²àâèëüíî óñòàíîâëåí ä²àéâå²
“Äèñïåò÷å² óñò²îéñòâ“ ïîêàçûâàåò “?”, “!” èëè “Êîìïîçèòíîå óñò²îéñòâî USB”
Íå óäàåòñØ óñòàíîâèòü/óäàëèòü/èñïîëüçîâàòü ä²àéâå² â ñèñòåìå Windows XP/2000
Ñèñòåìà Windows XP/2000 îòê²ûâàåò äèàëîãîâîå îêíî “Óñòàíîâêà îáî²óäîâàíèØ“ èëè “Åëåêò²îííàØ ïîäïè...
Íåò çâóêà
ϲîáëåìû, ñâØçàííûå ñ ä²àéâå²îì (Macintosh)
Íå óäàåòñØ ï²àâèëüíî óñòàíîâèòü ä²àéâå²
Íåò çâóêà
MIDI-äàííûå íå âîñï²îèçâîäØòñØ
ϲèëîæåíèå
s04 ParameterList.pdf
Ïà²àìåò²û ïàò÷à
수֏
Îáùèå ïà²àìåò²û ïàò÷à (ñòp. 56)
Ïà²àìåò²û òîíîâ ïàò÷à (ñòp. 57)
Ïà²àìåò²û Æôôåêòîâ ïàò÷à
Ãèòìè÷åñêèå ïàò÷è
Îáùèå ïà²àìåò²û ²èòìîâ (ñòp. 63)
Ïà²àìåò²û ²èòìè÷åñêè òîíîâ (ñòp. 63)
Ïà²àìåò²û ïàòòå²íîâ
Îáùèå ïà²àìåò²û ïàòòå²íîâ (ñòp. 79)
Ïà²àìåò²û ïàòòå²íîâ ñåêâåíñå²à (ñòp. 79)
Ïà²àìåò²û Æôôåêòîâ ïàòòå²íà
Óñòàíîâî÷íûå ïà²àìåò²û ïà²òèè (ñòp. 80)
Ïà²àìåò²û êîìïîçèöèè (ñòp. 116)
Ñèñòåìíûå ïà²àìåò²û (ñòp. 125)
s06 Specifications.pdf
Êëàâèàòó²à
[Ãåíå²àòî² çâóêà]
ÌàêñèìàëüíàØ ïîëèôîíèØ
Ïà²òèè
ÏàìØòü íà ôî²ìó ñèãíàëà
ϲåäóñòàíîâëåííàØ ïàìØòü (ï²åñåòû)
ÏîëüçîâàòåëüñêàØ ïàìØòü
Åôôåêòû
[Áûñò²ûé ñåêâåíñå²]
Ñèñòåìà
Ìåòîäû çàïèñè
Äî²îæêè
Ãàç²åøåíèå
Ñîõ²àíåíèå íîò
Òåìï
Ïàòòå²íû
Äëèíà ïàòòå²íà
Êîìïîçèöèè ïîëüçîâàòåëØ
[ϲî÷èå]
Áàíê àêêî²äîâ
Ô²àçà/À²ïåäæèî
Âíåøíåå óñò²îéñòâî ñîõ²àíåíèØ
Äèñïëåé
Ïèòàíèå
Òîê
Ãàçìå²û
Âåñ
ϲèíàäëåæíîñòè
Îïöèè
RD-700.pdf
Âàæíûå ï²èìå÷àíèØ
Main Features.pdf
Îñíîâíûå õà²àêòå²èñòèêè
ϲîã²åññèâíîå ìîëîòî÷êîâîå äåéñòâèå
Íîâûå òîíà ôî²òåïèàíî
Ïîëíûå 128 ãîëîñîâ
ϲîñòûå êíîïî÷íûå îïå²àöèè
òàôè÷åñêèé ÆÊ-Æê²àí
Âûñîêîêà÷åñòâåííûå Æôôåêòû
Ñïåöèàëüíûé çâóêîãåíå²àòî² î²ãàííûõ òîíîâ
Ãèòìè÷åñêèå è à²ïåäæèàòî²íûå ôóíêöèè
Áûñò²îå MIDI-óï²àâëåíèå
Ãàñøè²Øåìîñòü
Çàìå÷àòåëüíûé äèçàéí
Ñîâìåñòèìîñòü ñî ñòàíäà²òàìè GM/GM2
RD-700_eTOC.pdf
Ñîäå²æàíèå
00. Panel.pdf
Îïèñàíèå ïàíåëåé
Ïå²åäíØØ ïàíåëü
ÇàäíØØ ïàíåëü
00.Before Playing.pdf
Ïîäãîòîâêà
Óñòàíîâêà ïëàò âîëíîâîãî ²àñøè²åíèØ
Ìå²û ï²åäîñòî²îæíîñòè ï²è óñòàíîâêå ïëàòû âîëíîâîãî ²àñøè²åíèØ
Óñòàíîâêà ïëàò ñå²èè SRX
ϲîâå²êà óñòàíîâëåííûõ ïëàò âîëíîâîãî ²àñøè²åíèØ
Ïîäêë ÷åíèå RD-700 ê âíåøíåìó îáî²óäîâàíè
Ïîäêë ÷åíèå ïåäàëåé
Âêë ÷åíèå è âûêë ÷åíèå ïèòàíèØ
Âêë ÷åíèå ïèòàíèØ
Âûêë ÷åíèå ïèòàíèØ
Ãåãóëè²îâêà ã²îìêîñòè
Âûçîâ çàâîäñêèõ óñòàíîâîê (Factory Reset)
Ãåãóëè²îâêà êîíò²àñòíîñòè äèñïëåØ (LCD Contrast)
Ãåãóëè²îâêà âûñîòû òîíà âñåãî èíñò²óìåíòà (Master Tune)
00. Overveiw.pdf
Îáçî² RD-700
Îñíîâû î²ãàíèçàöèè RD-700
ÑîñòàâëØ ùèå çâóêà
Òîí (Tone)
Ïà²òèØ (Part)
Îñíîâû ²àáîòû RD-700
Îñíîâíûå Æê²àíû
Ñïåöèàëüíûå óêàçàòåëè
Î ñïåöèàëüíûõ êíîïêàõ
Î êíîïêàõ CURSOR
Èçìåíåíèå óñòàíîâî÷íûõ çíà÷åíèé
02.Function.pdf
Èñïîëüçîâàíèå óäîáíûõ ôóíêöèé â èñïîëíåíèØõ
Ñîçäàíèå à²ïåäæèî íà îñíîâå èã²àåìûõ àêêî²äîâ ([ARPEGGIO])
Èçìåíåíèå ñòèëØ à²ïåäæèî
Èçìåíåíèå òåìïà à²ïåäæèî
Èã²àåì ²èòì ([RHYTHM])
Èçìåíåíèå ²èòìè÷åñêîãî ²èñóíêà
Èçìåíåíèå ²èòìà òåìïà
ϲèìåíåíèå Æôôåêòîâ (MULTI EFFECTS)
Âûáî² ñîõ²àíåííûõ óñòàíîâîê ([SETUP])
Çàïèñü ïà²àìåò²îâ êàê íàáî²û ([WRITE])
03-1.Master Keyboard.pdf
Èñïîëüçîâàíèå RD-700, êàê ìàñòå²-êëàâèàòó²û
°òî òàêîå MIDI?
Î MIDI-²àçúåìàõ
Ñîåäèíåíèå ñ âíåøíèìè çâóêîãåíå²àòî²àìè MIDI
Óñòàíîâêà ïå²åäà ùåãî êàíàëà (MIDI Send Channel)
Âûáî² çâóêîâ íà âíåøíåì MIDI-óñò²îéñòâå
Ãåãóëè²îâêà ã²îìêîñòè êàæäîé ïà²òèè (MIDI TX Part)
03-2.Master Keyboard.pdf
Äåòàëüíûå óñòàíîâêè ïå²åäàâàåìûõ ïà²òèé
Êàê óñòàíîâèòü ïà²àìåò²û
Ãåãóëè²îâêà ã²îìêîñòè è ïàíî²àìû
Óñòàíîâêà ó²îâíØ ²åâå²áå²àöèè è õî²óñà
Óñòàíîâêà îáëàñòè êëàâèàòó²û (LWR/UPR)
Óñòàíîâêà ò²àíñïîíè²îâàíèØ êàæäîé îòäåëüíîé ïà²òèè (Key Transpose)
Óñòàíîâêà äèàïàçîíà èçìåíåíèØ ïèò÷à áåíäå²îì (Bend Range)
Èçìåíåíèå ñîñòàâëØ ùèõ òîíà (ATK/REL/COF/RES)
Ïëàâíîå èçìåíåíèå ïèò÷à (Portamento)
Èçìåíåíèå ïèò÷à (Coarse Tune/Fine Tune)
Âêë ÷åíèå è âûêë ÷åíèå êàæäîãî êîíò²îëëå²à
Óñòàíîâêà èçìåíåíèØ ã²îìêîñòè â çàâèñèìîñòè îò ñèëû èñïîëíåíèØ íà êëàâèàòó²å (Velocity)
04. Piano Edit.pdf
Äåòàëüíûå óñòàíîâêè ²îØëüíûõ òîíîâ (Piano Edit)
Óñòàíîâêà ïà²àìåò²îâ
Ïà²àìåò²û
Âûáî² çâóêà ²îØëØ
Èçìåíåíèå øè²îòû çâó÷àíèØ (Stereo Width)
Èçìåíåíèå í àíñà çâóêà (Nuance)
Èçìåíåíèå îùóùåíèØ çâóêîâîãî ï²îñò²àíñòâà (Ambience)
Èçìåíåíèå ó²îâíØ ²åâå²áå²àöèè (Reverb Level)
Èçìåíåíèå óñòàíîâîê Æêâàëàéçå²à ñ²åäíå÷àñòîòíîãî äèàïàçîíà (EQ-SW/EQ Gain/ EQ Frequency/EQ Q)
05.Edit.pdf
Äåòàëüíûå óñòàíîâêè êàæäîé ôóíêöèè ([EDIT])
Óñòàíàâëèâàåìûå ïà²àìåò²û
Óñòàíîâêà ïà²àìåò²îâ
Ñèñòåìíûå óñòàíîâêè (System)
Êàê èçìåíØòü óñòàíîâêè
Ãåãóëè²îâêà ã²îìêîñòè (Master Volume)
ϲåäîòâ²àùåíèå ïå²åêë ÷åíèØ ïà²àìåò²îâ íàñò²îéêè Æêâàëàéçå²à (EQ Control)
Ñîõ²àíåíèå òåêóùåãî òîíà ï²è ïå²åêë ÷åíèè òîíîâ (Tone Remain)
Èçìåíåíèå èñòî÷íèêà ñèíõ²îíèçàöèè (Clock Source)
Ïå²åêë ÷åíèå ìåæäó ï²èåìîì ñîîáùåíèé GM/GM2 System On è GS Reset
Èñïîëüçîâàíèå ñîîáùåíèé Program Change äëØ ïå²åêë ÷åíèØ íàáî²îâ (Control Channel)
Óñòàíîâêà èäåíòèôèêàöèîííîãî íîìå²à óñò²îéñòâ (Device ID)
Ïå²åêë ÷åíèå ïîëزíîñòè ïåäàëè (Pedal Polarity)
Ãåãóëè²îâêà îòêëèêà êëàâèàòó²û (Key Touch)
Êàê èçìåíØòü óñòàíîâêè
Èçìåíåíèå êëàâèøíîãî êàñàíèØ (Key Touch)
Òî÷íàØ ²åãóëè²îâêà êëàâèàòó²íîãî êàñàíèØ (Key Touch Offset)
Óñòàíîâêà ïîñòîØííîãî ó²îâíØ ã²îìêîñòè îòâå÷à ùåé ñèëå íàæàòèØ (Velocity)
Èçìåíåíèå â²åìåííûõ õà²àêòå²èñòèê çâóêà â îòâåò íà ñêî²îñòü íàæàòèØ (Velocity Delay Sens)
Èçìåíåíèå ÷óâñòâèòåëüíîñòè êàñàíèØ â çàâèñèìîñòè îò äèàïàçîíà êëàâèø (Velocity Keyfollow Sens)
Ïåäàëü, ²ó÷êà [CONTROL], óñòàíîâêè Æêâàëàéçå²à
Êàê èçìåíØòü óñòàíîâêè
Íàçíà÷åíèå ôóíêöèé ïåäàëØì (FC1/FC2)
Èçìåíåíèå óñòàíîâîê ²ó÷êè [CONTROL] (Control/Src)
Èçìåíåíèå ÷àñòîòíûõ óñòàíîâîê Æêâàëàéçå²à (Freq/Q)
ÈìèòàöèØ ñîçäàíèØ î²ãàííûõ òîíîâ (Tone Wheel Mode)
Èçìåíåíèå ôóòîâ ïîëçóíêîì PART LEVEL (Harmonic Bar)
Óñòàíîâêà ïà²àìåò²îâ ìóëüòèÆôôåêòîâ, ²åâå²áå²àòî²à, õî²óñà (MFX/Reverb/Chorus)
Êàê óñòàíàâëèâàòü ïà²àìåò²û
Óñòàíîâêà ïà²àìåò²îâ ìóëüòèÆôôåêòîâ
Óñòàíîâêà ïà²àìåò²îâ ²åâå²áå²àöèè
Óñòàíîâêà ïà²àìåò²îâ Æôôåêòà Chorus è Delay
Óñòàíîâêà ïà²àìåò²îâ òîíà (Tone Edit)
Êàê äåëàòü óñòàíîâêè
Âûáî² ²åäàêòè²óåìîé ïà²òèè (<Part>, Tone)
Óñòàíîâêà ãëóáèíû Æôôåêòà ²åâå²áå²àöèè / õî²óñà (Reverb/Chorus Amount)
Èçìåíåíèå Æôôåêòà ï²èìåíåííîãî ê òîíó (MFX)
Èã²à ìîíîôîíè÷åñêèì çâóêîì (Mono/Poly)
Èçìåíåíèå ïèò÷à (Coarse/Fine Tune)
Ñîçäàíèå ïëàâíûõ èçìåíåíèé ïèò÷à (Portamento Switch/Time)
Èçìåíåíèå Æëåìåíòîâ òîíà
Èçìåíåíèå äèàïàçîíà ïèò÷à (Bend Range)
Òî÷íàØ ìîäèôèêàöèØ àêêî²äîâîé çâó÷íîñòè (Stretch Tune)
Óñòàíîâêà ïà²àìåò²îâ ²èòìà (Rhythm Pattern)
Êàê óñòàíàâëèâàòü ïà²àìåò²û
Ãåãóëè²îâêà òåìïà (Tempo)
Èçìåíåíèå ïàòå²íîâ (Pattern)
Âûáî² ²èòìè÷åñêèõ âà²èàöèé (Rhythm Type)
Èçìåíåíèå óäà²íîãî íàáî²à (Rhy Set)
Èçìåíåíèå ïàòå²íà áåç èçìåíåíèØ íàáî²à óäà²íûõ (Rhy Set Change)
Âêë ÷åíèå è âûêë ÷åíèå âñòóïëåíèé è îêîí÷àíèé (Intro/Ending)
Óñòàíîâêè ïà²àìåò²îâ à²ïåäæèî (Arpeggio)
Êàê äåëàòü óñòàíîâêè ïà²àìåò²îâ
Ãåãóëè²îâêà òåìïà (Tempo)
Âûáî² ïà²òèé äëØ èñïîëíåíèØ à²ïåäæèî (Dest. Part)
Óñòàíîâêà êëàâèàòó²íîãî äèàïàçîíà äëØ èñïîëíåíèØ à²ïåäæèî (Key Range)
Óñòàíîâêà ñòèëØ à²ïåäæèî (Style)
Èçìåíåíèå îêòàâíîãî äèàïàçîíà â ñòèëå à²ïåäæèî (Octave Range)
Èçìåíåíèå ïî²Øäêà íîò â à²ïåäæèî (Motif)
Èçìåíåíèå ²èòìè÷åñêîãî íàñò²îåíèØ (Beat Pattern/Accent Rate/Shuffle Rate)
Óäå²æàíèå ïîñòîØííîé ã²îìêîñòè íîò (Velocity)
ϲîäîëæåíèå à²ïåäæèî äàæå ïîñëå îòïóñêàíèØ êëàâèø (Arpeggio Hold)
Óñòàíîâêè ïà²òèè êëàâèàòó²û è êîíò²îëëå²îâ (Local Part Param)
Êàê èçìåíØòü óñòàíîâêè
Âûáî² ïà²òèè (<Local Part>)
Óñòàíîâêà êëàâèàòó²íîãî äèàïàçîíà êàæäîé ïà²òèè (Key Range)
Óñòàíîâêà èçìåíåíèØ ã²îìêîñòè â ñîîòâåòñòâèè ñ ñèëîé èñïîëíåíèØ íà êëàâèàòó²å (Velocity Sens/Max)
Âêë ÷åíèå è âûêë ÷åíèå êîíò²îëëå²îâ êàæäîé ïà²òèè
Íàçíà÷åíèå âíóò²åííèõ ïà²òèé ëîêàëüíûì ïà²òèØì (Part Assign)
Óñòàíîâêà ïà²òèé íà ï²èåì MIDI-ñîîáùåíèé (Internal Part Prm)
Êàê èçìåíØòü óñòàíîâêè
Âûáî² ïà²òèè (<Part>, Tone)
Óñòàíîâêà ï²èíèìà ùåãî êàíàëà (Receive Channel)
Óñòàíîâêà ã²îìêîñòè è ïàíî²àìû (Volume/Pan)
Óñòàíîâêè âêë ÷åíèØ/âûêë ÷åíèØ Æôôåêòîâ (MFX Switch)
Óñòàíîâêà ò²åáóåìîé ïîëèôîíèè (Voice Reserve)
Óñòàíîâêà ï²èåìà è áëîêè²îâàíèØ MIDI- ñîîáùåíèé ï²èíèìàåìûõ ñ âíåøíèõ MIDI-êîíò²îëëå²îâ
Óñòàíîâêà ìåòîäà íàñò²îéêè (Temperament/Key)
IJóãèå ôóíêöèè (Utility)
Ïå²åäà÷à ïà²àìåò²îâ íàñò²îéêè RD-700 íà âíåøíåå MIDI-óñò²îéñòâî (Bulk Dump)
Âîçâ²àò çàâîäñêèõ çíà÷åíèé (Factory Reset)
06.Connecting.pdf
Ïîäêë ÷åíèå âíåøíèõ MIDI-óñò²îéñòâ
Çàïèñü èñïîëíåíèé RD-700 íà âíåøíèé MIDI-ñåêâåíñå²
Ïîäêë ÷åíèå âíåøíåãî ñåêâåíñå²à
Óñòàíîâêè çàïèñè (Rec Setting)
Çàïèñü èñïîëíåíèØ
ÔóíêöèØ Local Switch
Èã²à âíóò²åííèì çâóêîãåíå²àòî²îì RD-700 ñ ïîìîùü âíåøíåãî MIDI-óñò²îéñòâà
Ïîäêë ÷åíèå
Óñòàíîâêà êàíàëîâ
Âûáî² çâóêîâ RD-700 ñ âíåøíåãî MIDI-óñò²îéñòâà
Èñïîëüçîâàíèå RD-700 êàê çâóêîâîãî ìîäóëØ ñòàíäà²òà GM (GM Mode)
Çàìå÷àíèØ îòíîñèòåëüíî ²åæèìà GM
ϲîèã²ûâàíèå êîìïîçèöèé ôî²ìàòà GM
Appendices1.pdf
Óñò²àíåíèå íåèñï²àâíîñòåé
ÑîîáùåíèØ îá îøèáêàõ/ä²óãèå ñîîáùåíèØ
ÑîîáùåíèØ îá îøèáêàõ
IJóãèå ñîîáùåíèØ
Appendices1.pdf
Óñò²àíåíèå íåèñï²àâíîñòåé
ÑîîáùåíèØ îá îøèáêàõ/ä²óãèå ñîîáùåíèØ
ÑîîáùåíèØ îá îøèáêàõ
IJóãèå ñîîáùåíèØ
Appendices2.pdf
Ñïèñîê Æôôåêòîâ/ïà²àìåò²îâ
Ñïèñîê ïà²àìåò²îâ Æôôåêòîâ
Appendices3.pdf
Ñïèñîê òîíîâ
Ñïèñîê ²èòìè÷åñêèõ íàáî²îâ
Ñïèñîê ñòèëåé à²ïåäæèî
Ñïèñîê ïàòå²íîâ
Ñïèñîê íàáî²îâ
Ñïèñîê ñîê²àùåíèé
MIDI_Imple_e.pdf
MIDI Implementation
RD-700_eIX.pdf
Èíäåêñ
Specifications.pdf
Îñíîâíûå õà²àêòå²èñòèêè
Index 2.pdf
Öåëåâîé èíäåêñ
Óñòàíîâêà ã²îìêîñòè
Îòêëèê êëàâèàòó²û è âåëîñèòè
Åêâàëàéçå²
Ïèò÷ è íàñò²îéêà
Åôôåêòû (Reverb, Chorus, Multi-Effects)
Óï²àâëåíèå
Êëàâèàòó²íûé äèàïàçîí
MEMO.pdf
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